Listen Here – BandCamp
Vocals + Synth: Alice Janne
Vocals, Bass, + Drums: Max Poelmann
Vocals + Guitar: Valentino Sacchi
Mixed By: Rafael Valles Hilario
Mastered By: Mickey Young
Artwork By: Robin Roche
Track List: Sonny Cynar, 15 Times, Crocodile In My Brain, Kill Your Boss
Listen Here – BandCamp
Tracked And Mixed By: Zach Miller
Mastered By: Will Killingsworth
Artwork By: Maddy Morningstar
Track List: XOXO, VIOLENT CLOSURE, ASSUMPTION, BITCHMADE, FREAK, TURBULENCE 2.0, P.O.V.
Where Pretty Hate Machine was a record that alternative mothers could love and really have something to dance to, the following EP, Broken is a pre-cursor to The Downward Spiral. It was the twisted stepchild who played with the worms and grew amongst the grime in the basement.
Trapped alone in the dungeon, Broken is aggressive and has psychopathic tendencies. Much like an esteemed serial killer, Nine Inch Nails on Broken should be feared, but can also be studied to see the intricacies and care that went into the work.
While sadistic and loving the pain of control on others, Broken begins with a short introduction described as, “Pinion.” Where the harsh synths and oblique Church of Satan chimes and bells are an immediate distinction from his previous work, Trent Reznor is engaging and creates both feelings of immaculate power and panic with the listener.
Broken can either make the audience stand at 10 feet tall, or 10 inches. At one point, especially on the following track, “Wish” becomes an anti-social dissection of society with a catchy percussive beatdown and synth being rammed into the skull. Broken, while somewhat short compared to other Nine Inch Nails projects wants to physically obliterate you. The production here stands like an industrial mix of meth with the numbing power of ketamine, Broken matches its name with the destructive ability and pushes on to be a solid jump to a new label as well.
Nothing/Interscope Records became home to Nine Inch Nails after jumping from TVT Records on Pretty Hate Machine, and the change is nothing but noticeable. A track like “Last” could never appear from the “Synth-Pop” band at the time, but in 1992 there was a new frontier of Nine Inch Nails sound.
With lyrical themes closer to The Downward Spiral referring to “Pigs” mostly, “Last” is a breakthrough on sonics for the band. Reznor describes over a carousel of snappy snares and warped synths that seemed to be thrown down stairs and placed in fire, “Still feel it all slipping away but it doesn’t matter anymore. Everybody’s still chipping away but it doesn’t matter anymore.”
His delivery begins to be a sunken reflection of a broken man as he describes, “Look through these blackened eyes, you’ll see 10 thousand lies. My lips may promise but my heart is a whore.” It becomes the story of how the slave thinks he is released from bondage only to find a stronger set of chains, finding only stronger illustrations of confinement as Broken presses on.
It could be the overwhelming instrumentation or the consistent action, but Broken quickly becomes one of the best introspective accounts on Nine Inch Nails’ favor. Begging for freedom, just a slave for reprieve, Broken breaks ankles and makes the audience crawl for mercy.
It started with the now-disbanded collective Odd Future that sold a quarter million off just socks alone led by Tyler, The Creator, and featured some of the strongest potential talents in hip-hop sound. While the main stages followed Frank Ocean, Earl Sweatshirt, and Tyler, the rise also saw MellowHype with Hodgy Beats and Left Brain, taking a soon culmination to MellowHigh, adding Domo Genesis to the mix.
For good reason, MellowHigh never had the attraction that Tyler’s direction had or the realistic sunken views that Earl brought, instead, MellowHigh was an interesting diversion that continued to blend a love to hip-hop and the fun of gathering friends to create art. While it was never perfect, that’s the beauty of the music here.
MellowHigh had a level of maturity that gained from the MellowHype days, it was easy to understand the framework for why introductory tracks like “Yu” or the hype of “Extinguisher” would hit a nerve for an Odd Future fan.
“Yu” especially was fantastic and simple, the production that leaned heavily on this piano rock back and forth while a chorus from Domo Genesis explains, “I can’t give a fuck bout what you saying, what you talking. I be sparking, nigga I’m just tryna smoke my weed.” Leaving Left Brain to cover the productive slack, there is a vein of fashion that comes from the simplicity of MellowHigh. It achieves for 44 minutes and can dissipate, leaving a murder weapon on the table after.
There is a desire to attack off “Extinguisher” based on the instrumental alone, it is electrifying and bursts at the scene like a monument of sound. The horns punch through like a marching band and give both Hodgy and Genesis ample ground to stand upon. Hodgy especially is an exemplary rhymer here describing through gritted teeth, “I’m attacking your captain, battle raps, shitting, clogging and calling your plumber. How these old ass niggas newcomers?”
The memory flashes back to seeing nerdy kids rocking supreme at the skatepark with pink socks, giving youth a few idols to follow. Odd Future moved like a plague, spreading through malls, concerts, and high school halls till it seemed that everyone knew the name that was in the know. MellowHigh while being a step outside the main focus of the group, still gave sections of being able to exhibit sonic ability that was serious enough to turn heads that saw past that allure of being in a scene.
Some of the tracks on MellowHigh definitely don’t age as gracefully as they could have (mostly “Roofless”), but looking back brings more good memories than any cringing times. Just three to four kids packing inside your mom’s garage to smoke a $20 sack before the parents got home. It wasn’t ideal by any means, but it made you feel like you were a part of something instead of being isolated.
Listen Here – BandCamp
Vocals + Guitars: Lewis
Bass: Trevor
Drums: Lucas
Leads: Josh
Mixed + Mastered By: Will Killingsworth
Tracked By: Trevor Robson, Emilio Pagnotta, Braden Decorby, + Athena Joan
Illustration By: Athena Joan
Layout By: LJ
Track List: It’s Beautiful, False Power, Shot At Dawn, Uniforms, Dismantle, Calm Mind
Listen/Watch Here – Youtube
Directed By: Idris Vicuna
Animation By: Josh Parsons
Edited By: Idris Vicuna
Skateboarding By: Franky Villani + Eliane Castiglione
Filmed By: Luke Murphy
Additional Filming By: Oscar Merino
Graphics By: Julius Valledor
3D By: Chris Porras
Produced By: Lex Records Ltd
Special Thanks: Tyrone Romero + New Balance
Listen Here – BandCamp
Bass, Vocals, + Guitar: Alec
Synth: Indigo
Guitar + Vocals: Chuck
Drums + Vocals: Alex
Recorded By: Ron Pollard
Mixed By: Ron + Alec
Mastered By: Alec
Artwork By: Lucienne Martin
Track List: BTK, Para$ite, NBN, Unpack Your Bags, Mothman, Guilt, Society, Fake Rockstar, Gold Chain (At The TAB.), Genetic Flaw, Head Full Of Fuck
It might only be 13 minutes, but the newest record from Seattle’s own Regional Justice Center forces a hand of overtly destructive power through sonic oppression. Crime and Punishment takes 10 tracks at around nearly a minute each on average and pulverizes the audience like a scheduled beating right before lights out.
Opening with “Taught To Steal,” Regional Justice Center or RJC has this loudspeaker that in muzzled fuzz describes, “Crime and punishment… Crime and punishment” before opening the pits of bodies piled upon bodies. It is chaotic and the cold bars with eyes on the outside written by vocalist and multi-instrumentalist, Ian Shelton moves as the panopticon for Regional Justice Center.
With lyrics nothing short of powerviolence’s home to a hellscape, Shelton shouts beyond blitzing blast beats and guitar stabs, “Wide eye, open to the world shown. Forming thought of right and wrong…” As the band conjoins to become a twisted monster of assaulting wavelengths, he goes on to describe, “It is yours If you want it. All you have to do is take it.” The message might be a reflective view on the pressure and tension that builds within one’s self, but it becomes a vocalization of strength.
But it only gets worse, when that buzzer goes off and the cell doors that confide the listener lock them further in this torturous cell, “Inhuman Joy” is a sluggishly sculpted march toward the electric chair. The guitars and strings are tuned low to be an early 90’s thrash track but appears more reserved and with less of the ferocity of speed. Instead, the speed comes through the final quarter of the track where the drums illicit an underlying rage that shines like a genetic code.
“Concrete” is another track that comes to mind that has elements of some classic-styled hardcore where the instrumentation is a grind against the pavement instead of just a constant crushing. Actually brilliant for the way that the track can change tempos so frequently and continue to hold the head up to full attention, Regional Justice Center takes Crime and Punishment and puts the audience’s nose in it.
Close to the grindstone, the ripping wheel continues to fly at unspeakable RPM’s as the scales of fate never seem to tip in the audience’s favor. The final track especially, “…And Punishment” is the last look at the lamps of hope before being condemned to a hopeless existence alone and tattered. From riches to rags, from society’s gem to society’s waste, Regional Justice Center takes their last moments of time here to become a percussive salute to the memory of the listener.
The vanquished who loses their sense of direction and inability to survive forthcoming mental storms, Crime and Punishment is the final nail in the judicial coffin. Submitting to the end can never be easy, but Regional Justice Center forces the silence to come to the audience instead of the typical way of escaping those reprieves.
Listen Here – BandCamp
Featuring: Wolf Weston, Imani Robinson, Amirtha Kidambi, ELUCID, Fielded, Franklin James Fisher, Mach Hommy, John Fore, Navy Blue
Mixed + Mastered By: Willie Green
Chief Engineer: Steel Tipped Dove
Assistant Engineer: Tevin Prince
Executive Produced By: Moor Mother + Billy Woods
Art + Typography By: Ashes57
Track List: Furies, The Blues Remembers Everything The Country Forgot, Maroons, Rapunzal, Arkeology, Blak Forest, Gang For A Day, Mom’s Gold, Chimney, Rock Cried, Scary Hours, Guinness, Tiberius, Giraffe Hunts, Portrait