Listen Here – BandCamp
Produced + Mixed By: CharlesTheFirst
Cover Photo By: Maya Tihtiyas
Track List: Learning 2 Pray, To Depart To Seek, Figured U Out, Foreboding Feeling, Prophecy, Hopeful, Out of the Dark, Searching (interlude), For Now, Hang In There, Fleeting Memories, The Undoing, Clarity
Listen/Watch Here – Youtube
Director: Missy
Director of Photography: Drew Saracco
Camera Operator: Ryan Scott
1st AC: Mike Toland
Editor: Hunter Siede
Colorist: Seth Ricart + Natasha Wong
Set Designer: Hanna Hamilton
Assistant Set Designer: Jon Vaders
Stylist: Amber Simiriglia
Production Assistant: Vincent Orender
Though formatted as a series of singles, PRODUCT by the Glasgow-born producer, SOPHIE is an engaging 26-minute mix of razor-edged wire walking between bubbly pop and electronic instrumentational breaking.
Opening with “BIPP,” the 2015 project gives feelings of immense dance motion between the cracking snaps of rubber-banding snares and the intense 808s underneath. One thing about SOPHIE on PRODUCT and throughout her career is the immaculate sense of layering. After each listen even on the first track, there are moments of discovery that continue to protrude through each listen.
She punches with this chorus that describes, “I can make ya feel better if ya let me. I can make ya feel better if you want to. I can make ya feel I make ya feel, if ya let me” coming from Marcella. Her vocals pushed over SOPHIE’s production continues to strong hand this pop boundary and the strange, giving SOPHIE identity from the first handshake.
Pieces like “LEMONADE” made PRODUCT become not just a project to disappear under the overwhelming amount of music released every day. Again dancing through a pop sound but having a standout style of electronic production, the whirling synths in the background resemble corkscrews twisting over glass. As the sharp staccato flares ignite the track, “LEMONADE” becomes intoxicating and the perfect transition into “HARD” that repaints the frame in seconds.
The bass alone in “HARD” is enough to give modern music a rethinking as what makes a track really thump. The stadium speakers are sporadic and the entire mix is chaos that resembles the brain on an utter meltdown. Splashes of color are flashes in the pan while the intensity burns at a nice cool 400 degrees Celsius.
Melting anything in a radius of fewer than 200 miles, the following of “MSMSMSM” takes similar approaches in being impossible to track while the synths lead into this cascading breakneck midi tapping of metallic spider legs. SOPHIE creates a world that rivals metal upon metal, like a blender that makes love to a colander, “MSMSMSM” needs to be experienced to be understood.
PRODUCT feels as if SOPHIE really understands what makes the head bop, and what makes a catchy instrumental. Her power on PRODUCT seems limitless in the eight tracks and while all singles releasing instead of one complete segueing project; SOPHIE is an international treasure on the MPC.
Listen Here – BandCamp
Featuring: Ray Vendetta, Lord Juco, Falcon Outlaw, Jon Murdock, + Lex Starwind
Produced By: Relense, Evil Ed, Karnate, GI, Observe Since 98, Kashmere, Agor, + Farma
Artwork: Ringz Ov Saturn
Executive Producers: Tesla’s Ghost + Ringz Ov Saturn
Mastering: Juice
Track List: INTRO (LA TENIA), PRE ORDANED, GOOD RIDDANCE, HALF MOON, OPIOID, TIME CRISIS, WEAPONS BAY, PARABELLUM, MIDNIGHT AT THE DELI, MIRROR IMAGE, DEEP WATERS, PANIC IN THE PARISH, DESERT JINN, PROPHETA, SILKWORM MISSLES, CHIDORI
Listen Here – BandCamp
Featuring: Greg Paulus
Written + Produced By: Jamie Odell
Trumpet On 1 + 4 By: Greg Paulus
Congas On 1 + 4 By: Laroye
Track List: Soul Spectral, Sanguine, Think Of You Always, Soul Spectral (Dub)
Listen Here – BandCamp
Track List: All Night (Garage Sessions), Seven (Garage Session), Norton Commmander (Garage Session), Numb (Garage Session), Say Can You Hear (Garage Session), Found Me (Garage Session), Show Me How (Garage Session), Break For Lovers (Live), Tailwhip (Live), You Deserve This (Live), I Hope To Be Around (Live) Lauren (Live Duo), I Hope To Be Around (Live Solo)
Listen Here – Spotify
“A playlist of tracks that were featured on MattsMusicMine.com from the week of March 22nd – 28th. From Reviews to Streams, never miss a track with these playlists that are uploaded every single Sunday till I drop dead.”
Featuring: Trash Talk, King Green, Fossilization, Remy Banks, Vegyn, Malevich, Albert King, Kali Uchis, Jinjer, Shakewell, Oily Boys, Astro Mega, Show Me The Body, Weak Ties, Benny The Butcher, Harry Fraud, 2 Chainz, Skin Ticket, Phoebs, Congo Natty, Human Impact
Track List: Awake, Blind Evolution, Lesson 1: War On Drugs, Blight Cathedral, the phantom of paradise., B4 The Computer Crash, Spent, Watermelon Man, Blues Power, Telepatía, Noah, 5 Ways, Given, 97 Kobe, Rubberband, Survive, Rage Is Not A Quiet Thing, Plug Talk, A Promise, Vampires, Less Than
Listen Here – BandCamp
Vocals + Guitar: Chris Spencer
Electronics: Jim Coleman
Bass: Chris Pravdica
Drums: Phil Puleo
Track List: Recognition, Genetic, Sparrow, Less Than, Transist, Contact, 10 Days, Subversion
Listen Here – BandCamp
Engineered, Mixed, + Mastered By: Zachary Rippy
Album Artwork + Designs By: Tyler Flanagan
Track List: 19.8.2, DBAC, No Hesitation, A Promise, Worth:None, P.O.S., Soilex, Nighterror, Bleed The Blue
Smashing off the 2019 release of their emotionally tense record Dog Whistle, Show Me The Body quickly gave witness to why they deserved their section of concrete. Even while the world seems to slowly disintegrate around them, Survive is the only mantra needed to push on.
Consisting of only three tracks and just coming barely shy of the 10-minute mark. Survive is a wake-up call, it really hits the head like an alarm on full ring, catching the listener both surprised for how much veracity and power that’s wound inside this package.
Opening with “Rubberband,” this is a track that immediately needs to be heard in a live setting. From climbing on the rafters at Now That’s Class in Cleveland, to being punched in the home state of New York, here is a track that combines the intensity of Corpus I with the dropkick of Body War.
There is a burning desire to continue on into the uncertainty as Show Me The Body marches through “Rubberband” like a rat in a maze. The listener follows along blind as the lyrics, “I wasn’t built for this Earth, understand me? It don’t make it better or worse” while the production ramps up to an unstoppable level. The bass on Survive especially is monumental and deserves this praise for being harsh, surrounded in a world of noise and exclaiming that thrives in the confusion.
Especially after the bottle-neck break that begins at the 1:50 timestamp, the speed might become a moment where mosh pits and circle pits start to spin. But when the track goes silent except for the anguishing and pulverizing bass at 2:20, it’s harrowing. Not much in forms of hope have hit the music scene in well over a year, and Show Me The Body makes more of a shallow burial instead of these feelings of rejuvenation. Rather than focusing on the hellscape, Survive is about cracking the casket and crawling through that dirt till the rays of the sun can be felt again.
Especially on the final title track “Survive” which was accompanied by a video with different faces shadowboxing and continuing to work through reps as drowned lyrics become further warped by distortion. The production becomes more and more closely related to the mental state which is foggy and seems impossible to follow a train of thought until those percussive smacks stomp forward and disrupt the crowded judgment.
The description takes face by illustrating, “I never cry watching pigs die, see you shedding tears, we’re not the same kind.” As Show Me The Body uses the strings to peel back the skin and expose the bone and marrow of the streets they walk, the final moments of shouts are explementary for being etched on the skin. “Fuck the pig war, bury the pigs. Fuck the pig war, bury the pigs,” as flames engulf the mix and only echoes of broken instruments and tattered vocals can be heard for miles.
Survive takes everyone’s frustration, the contemplating, the despair, and packs it all in a nearly ten-minute brutal jumping. Desperate for the live setting, Show Me The Body swings harder and cuts deeper as the days pile on.
Listen Here – BandCamp
Cover Artwork By: Robin Wiberg
Track List: Human Machine, Life Is Shit, Pot Overdose, Sea Of Vomit
Listen Here – BandCamp
Mixed By: Eric Gordon + Astro Mega
Mastered By: Eric Gordon + Addik Productions
Track List: Feels, 36DD, JAMM, b-tru, ’97 Kobe, Pam, GodBody, Top Girl, BlackBoyBlackBoy, Summer Of ’95, Kangol And Furs, Decks And Remotes, Fluids, Got More, Am/Jazz83, J Gal, Tyra’s Jam, Shinny Dubs, FlyFlyFly, Swangers, Ronnie And Tricks, Foxy Interlude, Gold Hoops, 12:05am, Diamond And Ebony
Listen Here – BandCamp
Vocals: Drew Bennett
Guitar: Kerem Daldal
Bass: Garry Ryan
Drums: Yuta Matsumura
Recorded + Mixed By: Micky Grossman
Mastered By: Dan Randall
Cover Art By: Yuta Matsumura
Track List: Given, Headstone, C.B.D., My Sex Life, Lizard Scheme, Heat Harmony, Stick Him, Cro Memory Grin, Blue Batman, Kiss The Rat, Green Piece, Cabramaverick, GTrance
Listen/Watch Here – Youtube
Produced By: Flexatalli
Directed + Edited By: Dan Streit
Created By: Grin Machine
Assistant Director: Adam Talan
Director Of Photography: Tanner Hall
Colorist: Dylan Hagemann
Assistant Camera: Austin Millinder
HMU: Mauricio Linares
Cast: Eric Wareheim, Tiamat Medusa, Kushstofferson, Brad Swanick, Justin Dauer
There is always something immediately captivating about hearing live versions of some of the strongest guitar work ever recorded to wax. Albert King’s June 1968 recorded album at the Fillmore Auditorium in San Francisco gives vitality to the Live Wire/Blues Power definition.
While The Beatles and Velvet Underground were creating new sounds to ease out of the summers of love, King was quick on his feet to be an idolization of string movements. Recruiting Willie James Exon on guitar, there was also James Washington on organ and Roosevelt Pointer on bass. The percussions give Son Seals a standing ovation of being the human metronome that so effortlessly flows into King’s slick style.
The opening track “Watermelon Man” is not a Herbie Hancock rendition, but instead is a swinging and nearly breakneck jam through this blitzing instrumental that uniquely picks solo standouts for each member. The guitars here are highlighted for their sporadic strumming and picking that shines through overtones. The organ follows suit as this 60’s uplift where James Brown and The Famous Flames would be proud.
While entirely instrumental excluding a short introduction that describes, “Permanent member of the Fillmore family, a great guitarist, this is Mr. Albert King,” as the crowd erupts into cheers. Those cheers transition into the track “Blues Power” where King essentially makes passionate love to the guitar here. Live Wire/Blues Power touches a myriad of bases, but the 10-minute track “Blues Power” gives way to something truly magical.
Involving crowd participation where King speaks to the crowd, more in a matter-of-fact terminology where everyone can relate to “The Blues, or the Reds, or the Pinks.” Giving around the three-minute mark, a decadent display of not only stringed prowess but a marksman level of craft that comes to the performance. King becomes this artisan that transposes the guitar and illustrates a serious technicality through emotion and raw talent.
Even on later tracks that are much shorter in comparison, “Please Love Me” gives the swing eighth notes a run on the percussion and has King shrieking through the guitar. It stays to be a polar opposite of the sluggish approaches of previous tracks and instead trades the 1963 Lincoln Continental for something more related to the ‘61 Shelby Cobra. Both beauties on display, but for entirely different reasons.
But that becomes the mantra for Live Wire/Blues Power, each piece has moments of extreme valleys and then mountainous highs. King can transition perfectly between the two and keep a crowd entertained by choosing excellent musicians to back him up even when he seems to be down and out underneath the blue wave.
Listen Here – BandCamp
Track List: On The Top, Pit Of Consciousness, Judgement (& Punishment), Retrospection, Pausing Death, Noah, Home Back, The Prophecy, IainnereP