Listen Here – Spotify
“A playlist of tracks that were featured on MattsMusicMine.com from the week of April 12th – 18th. From Reviews to Streams, never miss a track with these playlists that are uploaded every single Sunday till I drop dead.”
Featuring: Black Marble, Thouxanbanfauni, Lite Fortunato, The Antlers, Rata Negra, The Weather Station, Hailu Mergia, Tomahawk, Big Pun, Wyclef Jean, Brijean, Silicone Prairie, Conway The Machine, Jae Skeese, Fedd The God, Wiz Khalifa, SPIRIT OF THE BEEHIVE, MAVI, Sweeps, Pink Siifu
Track List: A Great Design, UK, B2B, Solstice, El Escarmiento, Subdivisions, Nefas New Zemedie, Predators And Scavengers, Beware, Caribbean Connection, Softened Thoughts, America, Blood Roses, Yea Yup, BAD SON, WAKE UP (IN ROTATION), THOUSAND MILES, escapism, run pig run.
Listen Here – BandCamp
Track List: UrAlways[TPE], Dearest, EndOfTime, MySuperstar, Differences, My1stLove, Astro, GetItTogether
Listen Here – BandCamp
Guitar, Bass, Vocals: Solitary Vice
Drums: Mike Hughes
Mixing, Mastering: Nyle Hamidi
Track List: Haste, Harken, Bruxism, Jafez, Gaze, Rotting Lavender
Listen Here – BandCamp
Artwork By: Fary ‘Junkyard’ Charles
Mixed By: Pink Siifu X Zeroh
Mastered By: Zeroh
Featuring:Ted Kamal, Moor Mother, Na-Kel Smith, The OGM, Zeroh, Melanie Charles, Billy Woods, Akeema Zane
Track List: BlackIsGod A Ghetto-Sci-Fi Tribute, SMD, FK, We Need Mo Color., BLACK!, Adam X Jalen Eye Luv U, Amerikkka Try No Pork, Run Pig Run, DEADMEAT, MyHeartHurt, Chris Dorner, Nation Tyme, Homicide/Genocide/Ill Die, Bebe’s Kids APOLLO, Dirt, Faceless Wings BLACK!, Blackest LOVE Like Paint On Tha Wall, Steal From The ENEMY, ON FIRE PRAY!, Black Be Tha God NEGRO., BLACKISINFINITE BLACK ALIVE! Spirit Shop, NEGRO FRIDAY, BLACKZ, Heavy, BlackSPACE, Stratosphere Status, BREATHE.Birth, G Tribute Live Rehearsal, FKOFFME, 2Dirt, Contail, FKThaPolice [Slumvillage Tribute], WakeUpNProsper, Numbers On Yo Head,The Embrace Narrated By, PRAY Rehearsal, Nation Tyme Rehearsal Live, NATION TYME PSA, Wrkouts2JazzSelfDefenseAlso, BLACKBETHAGOD!!!!!!!!, PSA 4 Tha FOLKS
Listen Here – BandCamp
The weird experiential cousin of hard electronic noise that clashes with the beauty and elegance of indie-rock hits the forefront with SPIRIT OF THE BEEHIVE on their newest hellscape, ENTERTAINMENT, DEATH.
Opening with the track “ENTERTAINMENT,” the silver-tongued devils enact with walls of bleeps and clipping that resembles a drum-kit that was thrown in the washing machine. The sporadic warping and undecipherable mix of instruments clanging together is the downpour before the sunshine. The sun pulls back these curtains through clouds and appears in the form of vocalization directly from the abstract heavens.
Other pieces like “BAD SON” are reinvigorations of that angelic landscape through plucked harp strings and incredibly subtle vocals. The world that SPIRIT OF THE BEEHIVE is warped and one that is not to be trusted, the record catches flame and begins to slow down. Appearing as the vocals themselves were engulfed by the fires that rage harder and higher. The instrumental twists and for a moment, become this effigy of sound where the sacrificial lamb is set in place.
That lamb then becomes the track “GIVE UP YOUR LIFE” which off the distortion and instrumentation alone is deceiving. Following the same suits as a snake oil salesman, SPIRIT OF THE BEEHIVE reels in the audience with a low-tuned catchy strut through acid-dipped streets.
As the factors of manipulation pick up, ENTERTAINMENT, DEATH slowly turns gears to be a devil in satin sheets. Feeling as if nothing that came before it, SPIRIT OF THE BEEHIVE has moments of reminiscing factors. But as a whole product, every second spent with SPIRIT OF THE BEEHIVE is seconds away from becoming a sour detour through the jungles of horrible misfortune.
“WAKE UP (IN ROTATION)” bears perfect, glistening teeth through an instrumental that taps back into the Summer of Loves and eras of flower power. Like a transplant for the era, the heavy riding on the cymbals for the percussion instills more feelings of false comfort and friendliness where skeletal hands lie.
ENTERTAINMENT, DEATH is frankly in the same emotion of a carnival ride that takes the audience through dips of immense fear and isolation to then peaks of bright lights and relief that washes over. It’s somewhat polished but leaves enough grime to be a characterized outburst of cheap thrills and mystifying sights.
Listen Here – BandCamp
Track List: The Killer Klown, Sweet Tooth, Cotton Candy, Russian Roulette, Popping Your Head Like A Balloon, Popcorn, Sweeet Guts, Cake On The Face, Payasadas, Clowngrind, Anal Impregnator (Alien Fucker Cover), Outro
Off sheer size alone, Big Pun had a terrifying presence to him. The rapper that gave Biggie a blow for blow comparison, Pun was quick to make his debut record one of the strongest displays of vocal delivery and breath control.
Capital Punishment is the only record that was released while Big Pun was alive and in a similar fashion to Big L, their debut record stands a test of time and amplifies hip-hop to a fur coat era.
Opening with the first musical track being “Beware,” the instrumental is lined up as a Mobb Deep cut with this thumping production that gives Pun foundation to stomp on. Pushing the audience back to give some air, Big Pun describes, “Yo! What you thought, Pun’s shit was weak? Now you can’t sleep. Gotta keep your eyes open wide and hide your face from the streets.” He continues on in nearly one single inhale, “I’m like the beast with a warrant, far from a law man. Gave you fair warnin’, now you on the stairs fallin’.”
As the sample from Prodigy that illustrates, “I gave you fair warning… beware,” rides over the production from Juju; Big Pun becomes this mafioso capo. Fitted in the finest suits of silk and hats of peachbloom. Big Pun continues to pour Rosé over the audience while seated at a checkered table for elegance.
It’s not all murder or violence with Capital Punishment which gives “Punish Me” that features Miss Jones this smooth almost RnB style for a delusion on the mix. The production is a wildly different jump from the grimy style of “Beware,” instead, the work on “Punish Me” is immaculately sleek and gives these warm methods of styling.
Miss Jones begins the track by describing, “Come back come back come back come back to me, punisher punish me. I’ve been so bad, so bad, won’t you come back, please.” The production then picks up on these jazzy keys in a smoke-filled room where Big Pun takes a second verse to respond. He calmly replies, “Nah baby, I’m not gonna be able to do it, you blew it. Threw it all the way cause you was stupid, girl why’d you do it?”
Even as Big Pun goes back to the ugliness and grimy style on “Caribbean Connection,” there are moments where Pun is elegant on the track and can relate to being the commander on the microphone.
Capital Punishment is at its best when Pun is gripping the audience through crime and seedy underbellies. The double-faced nature that switches to being compassionate and humanistic makes Capital Punishment more than just simply a hip-hop record. Before his passing at 28, Pun was making moves like a musical Castro and captured this spirit of New York in a whole new set of hands.
Listen/Watch Here – Youtube
Directed, Shot, + Edited By: Carrie Wallen
Concept + Makeup: Carrie Wallen + Ian Teeple
Infomercial Sequence: Ryan Lee Toms
Technical Assistance: Emily Jane Milner
Production Assistant: Yuki
Listen Here – BandCamp
Track List: Day Dreaming, Softened Thoughts, Pepe, Wifi Beach, Feelings, Ocean, Paradise, Lathered In Gold, Chester, Hey Boy, Moody
Listen Here – BandCamp
Tomahawk Members: Mike Patton, Duane Denison, John Stanier, + Trevor Dunn
Track List: SHHH!, Valentine Shine, Predators And Scavengers, Doomsday Fatigue, Business Casual, Tattoo Zero, Fatback, Howlie, Eureka, Sidewinder, Recoil, Dog Eat Dog