Listen Here – BandCamp
Cover By: BelowGround
Produced By: Hard Christ + Academy Frown
Track List: Failed Normie, Wageslave, Surgery, Another Generic Love, Wrong, Dopamine
Listen/Watch Here – Youtube
Directed By: Dan Streit + Kevin Abstract
Created By: Grin Machine
Director of Photography: Ashlan Grey + Corey Jennings
Produced By: Happy Place
Edit + Sound Design By: Dan Streit
3D Character Design By: Cole Kush
3D Animation By: Cole Kush, Christopher Rutledge, + Dan Streit
Styling By: Nick Holiday
Listen Here – BandCamp
Recorded By: Tommy Duffin
Mastered By: Andy Lippoldt
Art By: Adam Burke
Photography By: Lee Lewis + Claudia Nova
Track List: Septic Funeral, Black Liquefaction, Live Again, Onward To Death, Carnivorous Subjugation, Coffin Mulch
In this game of death and understanding, High On Fire are one of those bands that can successfully make sacrifices in the name of sonic religion. On Death Is This Communion, the effigy of human skin tears away and becomes etched through leather-bound books of metallic foundation.
Death Is This Communion is nearly an hour of strictly conquering and punishing primal knowledge. It may come to the audience as deadly as a striking cobra or have the ability to lop the heads off a marble statue. The vocals and guitar which are covered by Matt Pike give entryways to new additional bassist Jeff Matz. An icon on the set, the percussion is covered by Des Kensel who adds depth and real grime into the mix for High On Fire.
They orchestrate from the opening piece, “Fury Whip” which is more ceremonial than any testament of crushing power. From the clouds separating on those first low-tuned guitar strums that are paired on the accents of cymbal crashes and tom hits. There is a majestic nature to the performances on Death Is This Communion and the entire format is closer to a jungle haze where members are lost in the thematic world.
Shown especially on the middle of the journey track, “Headhunter” that is entirely percussive solos with these tribes that join together on the drums with distortion and fuzz beginning to overpower the mix. Starting sluggishly and lumbering, the rolls on the floor tom pick up and really begin to act as a rogue wave that eventually conquers the audience.
The transition from “Headhunter” into “Rumors Of War” follows a similar drum pattern, but adding the electronic instrumentation to become a complete saga full of hellfire. High On Fire gives one of their strongest production performances on “Rumors Of War” which is also one of the shortest tracks on Death Is This Communion.
Toward the bridge of the track, vocalist Pike gives a guttural nearly spoken-word display that illustrates, “The snakes come slithering, anarchy. Chaotic hunters rise, spit in their evil eyes.” The guitar and bass ramp up to be harsher as the narration describes, “Stand our ground with hate and fury, fear that comes will die. Our enemies have come to life, now they exalt the fiend.”
High On Fire turns pages of historic tablets taking inspiration from biblical scriptures and the absent-minded worlds of dense forests and raging fires, Death Is This Communion quickly becomes the soundtrack of the woods.
Built for the rugged and rough, Death Is This Communion is abysmal through the mix and sees a sightless pit with no bottom as an eternal resting place. Less for the intricacies and more for the emotion, High On Fire is the experimental cocktail that gives base for monuments to fall.
Listen Here – BandCamp
Artwork By: Andreea Ilisai
Master By: Conor at Calyx
Track List: Waiting For The World, All A Bit Mad, Back To The Old Days, Canvey Island, Casper Pt. I, Casper Pt. II, Thirty Three, Jill, Ridge Road, Bright
Listen/Watch Here – Youtube
Video Directed + Produced By: Brandon Damon of Auxiliary Cinema
Produced By: Raphy
Featuring: Bruiser Wolf
Listen Here – BandCamp
Raps: Baby Maine, Sauce Heist, + Ty Da Dale
Beats: Bass Reevez, Nes, Spanish Ran, + Wavy Da Ghawd
Mixed + Mastered By: D. Polo
Mixed + Mastered By: MixedBy90
Art + Design By: C DYER ART
Track List: City Of Gods Skit, Baby YOLA, Tell The Truth And Shame The Devil, 4 Devils, Hat Trick, Today’s Math, Dirty Money, I.C.U., Boston Rd, Bloody Sycamores
Listen Here – BandCamp
Recording By: Jeremy Davis
Album Set Work By: Sam Thomas
Track List: Slave, Truth Through Deicide, Primal, Blue Lives Shatter
Listen Here – Soundcloud

Track List: Can’t Believe It, Happiness Inside, Stampede, Killer California, God Said It’s OK To Fall, An Eater, Blazin’, Mercury Retrograde, Where I Lived
Listen Here – BandCamp
Track List: Lunar Madness, Serpent’s Coil, Fire In The Hills, Sulphuric Glow, Vanish Beneath, Streams Of Rapture (I, II, III)
Not much is known to the average joe about Tallahassee, but lately, with Armor and PROTOCOL, there is a message coming to get the hell outta Dodge before they ride into town.
PROTOCOL especially captures the ears with their 2019 release, Bloodsport that includes all the adrenaline and slaughter back in hardcore. For a record that is only a mere 10 minutes, there really is some amazing production and destruction coming from the band. PROTOCOL is the angsty little brother where no walls can surround and no person can withhold.
As they burst in with “Bloodsport I,” there is something to be said about the immaculate intensity and animalistic factor that PROTOCOL grapples with. The first seconds are all about the introductory warning signs of a meltdown. The initial 12 seconds sculpt this mystery and smoke behind a cloak and dagger that shines in the darkness before the clutching stab into the Aorta artery.
Severing most of the brain function from the jump, PROTOCOL takes “Bloodsport I” and pushes it through lyrical shouts over aggressive instrumentation that could crack bone through soundwaves. Describing, however, “Is pigment a permit? Am I vermin? That blood I bleed, those breaths I take – are they worthless?”
The instrumentation ramps up and continues to fire off in sporadic and belligerent jabs while vocals pour over like singeing wax. Shouting at this point, “Bloodsport, win or lose we bleed the same. In this game we play, bloodsport.” The sequel to the madness, “Bloodsport II” takes inspiration from its big brother and moves to outdo the older sibling in a manner of flashy moshing and spin kicks to the temple. Just taking the track in one go is a rush of charging tempers.
Most of PROTOCOL can be boiled down to becoming metal clanging against metal, an indestructible object that meets another indestructible object. Almost becoming impossible for the listener to gain ground to stand upon, Bloodsport as a record spends the entire 10 minutes submerging the audience in liquid nitrogen.
Frozen and unable to move, PROTOCOL treats the audience with the track “De-Militarized Zone” with reverbed shouts and vocal effects that collapse on the ears. Necks snap at the stomping circle pit nature and like a documentary in the style of Planet Earth, PROTOCOL descends on its prey.
The percussion is worthy to turn a spotlight onto for a moment as the consistent floor tom and drum rotation, in general, is specific to a war machine that gains momentum and just condemns the opposition. With a blitzkrieg, PROTOCOL burns through their fuel resources and would rather explode with everyone in the room taking the blast with them.
Each track another nail in that metaphorical coffin, each note being one step closer to demise. Like a funeral march with certain death at the end of the race; Bloodsport sprints headfirst into danger and miraculously, comes out broken and bruised but barely breathing, which is more than most can say.