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STREAMING // (Album) Bknott – “Pit Stop”

Posted on November 26, 2019 by Matt's Music Mine

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Produced By: Kay-1

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STREAMING // (Track) $ilkmoney – “Africa”

Posted on November 26, 2019 by Matt's Music Mine

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Produced By: STABILITY

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Misc. Day – Stupid Games

Posted on November 25, 2019 by Matt's Music Mine

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mach_hommy_wap_konn_joj!_01Mach-Hommy is almost this rap-game phantom of the opera appearing only in the darkest corners as a shining redemption that stems from the mask. This Haitian flag bandana might be the first glimpse of what the internet could gather around for his endorsements by hip-hop’s finest but then stay for the immaculate storytelling ability and persona of a young Henri Christophe.

Standing above the coastline and looking down at his kingdom, Mach-Hommy is many favorite rapper’s favorite rapper for the way he creates a conflict within his wordplay and the illustrious production choices. On his 2019 project Wap Konn Jòj!, there is this quote that floats around in the head of the audience far after the record has ended. “Play stupid games, win stupid prizes” describes the hook of “Mozambique Drill” featuring Tha God Fahim. Over these samples that lay the foundation like brick, Wap Konn Jòj! is an 18-minute, 7-track shotgun of surgical magnificence and significance even over the short run time.

On the following self-titled track “Wap Konn Jòj,” Mach-Hommy takes the center stage and spends most of the track singing along to the repetitive hook that describes, “The only one to blame is you… fuck nigga” with this lingering on the A vowel that appears to drag off into the next lines. It is a record that transitions well, creating a constant flow of motion with an endless cycle. As “Eedeot Bwoy” begins and features both Tha God Fahim and Your Old Droog, it is this jump into the pit of real rap collectives.

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It is this round table imagining that dawns Quelle Chris, Tha God Fahim, Your Old Droog, and Earl Sweatshirt as they sit and plug their verses onto the record. Mach-Hommy appears to be selective, but continuous with his feature choosing and that plays into the action of Wap Kon Jòj!. It is difficult to imagine tracks like “Mittrom” without the Earl Sweatshirt feature as the track opens with a short, but well-lived verse that claps back into Hommy’s hands. With this word scramble of “See the law of averages, see the crystal ball?.. you ain’t even on my planet yet, how you even on?” as Hommy shoots back toward the listener in this display of dominance.

With Wap Konn Jòj!’s horizon starting to fade and then the inevitable silence that approaches the listener moves forward, Mach-Hommy stands almost as living folklore. He is a colorful character that not only can construct an authentic touch to an often very distance genre without trying too hard. While most people break their necks for an inch of space in music, Mach-Hommy plays osselets and keeps his distance.

Listen To Wap Konn Jòj! Here!!! – Spotify/Amazon/iTunes

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STREAMING // (Video) JPEGMAFIA – “Free The Frail”

Posted on November 25, 2019 by Matt's Music Mine

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Listen/Watch Here – Youtube

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Directed By: Andrew Mcglennon

Featuring: Helena Deland

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STREAMING // (Video) Yung Lean – “Blue Plastic”

Posted on November 25, 2019 by Matt's Music Mine

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Listen/Watch Here – Youtube

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Song produced By: Gud

Music Video Directed By: Suzie And Leo

Produced By: Residence

Director Of Photography: Quentin Devillers

Steadycamer : Sacha Naceri

Stylist: Naracha Voranger

Casting Director: Marie Levy

Movement Director: Jorane Rest

Editor: Edouard Mailaender

Producer: Geoffroy Guillaumaud

S/O kendal johansson (blue moon)

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STREAMING // (Album) Chief Keef – “The GloFiles Pt. 3”

Posted on November 25, 2019 by Matt's Music Mine

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Featuring: Tadoe

Producers: Dolan Beats + DP Beats

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LIVE PHOTOGRAPHY – AUTOPILOT AT THE GOVERNMENT CENTER, NOVEMBER 23RD, 2019

Posted on November 23, 2019 by Matt's Music Mine

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STREAMING // (Video) Fifty Grand – “Necklace”

Posted on November 23, 2019 by Matt's Music Mine

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Listen/Watch Here – Youtube

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Director: Fifty Grand

Creative Director + Producer By: Attic Plants

Producer + Editor: Will Mason

Talent: Ogechi Onuigbo

Makeup: Thirati K

Colorist: Corey Vent

DP: Kelsey Talton

1st AC: Samantha Kelly

2nd AC: Dave Picci

Gaffer: Phil Jackson

PA: Ernesto Roche

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STREAMING // (Video) 03 Greedo X Kenny Beats – “The Making of Netflix and Deal”

Posted on November 23, 2019 by Matt's Music Mine

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Listen/Watch Here – Youtube

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Directed By: Dom Glover

Creative Directed + Edited By: Aris Chatman

Produced By: Mike Power

VHS Camera: Dom Glover

Digital Camera: Aris Chatman

Special Thanks: Ryan Miles

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STREAMING // (Track) Pouya X Xavier Wulf – “Whatever Mane”

Posted on November 23, 2019 by Matt's Music Mine

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Listen Here – Youtube/Spotify/iTunes

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STREAMING // (Video) Lumpy & The Dumpers – “HLPtv | Full Performance”

Posted on November 22, 2019 by Matt's Music Mine

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Listen/Watch Here – Youtube

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Audio Mix By: Mike Kriebel

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STREAMING // (Video) A$AP Twelvyy – “Bill Collector”

Posted on November 22, 2019 by Matt's Music Mine

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Listen/Watch Here – Youtube

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Video Directed (Filmed + Edited) By: P.V.

Co-Directed + Photography By: SNAPS

Additional Photography By: BLADI

Produced By: ZONEOUT WORLDWIDE + DJ SKIDROW

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STREAMING // (Track) Bones X Lyson – “TheProcess”

Posted on November 22, 2019 by Matt's Music Mine

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Listen Here – Soundcloud

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New Music – Manhattan Coqui

Posted on November 22, 2019 by Matt's Music Mine

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wiki_oofie_02It is hard not to notice the adaptability and lifespan that Wiki has had as a career MC and writer in the harsh game of rap. It seems more like a sport for him as he bounces from court to court, whether on this continent or the next to administer an iron grip on the mic. On his second studio record but now double-digit era project, if including his past works, OOFIE is somehow captured by that singular phrase. It fits this odd, but Icarus flight that bends the pages towards a rise rather than an eventual fall.

Wiki has always had a strong production backing whether coming from Ratking’s often ambitious sampling works and busy instrumentals, to the more spread out work that followed from his pieces Lil Me and No Mountains In Manhattan on his solo ventures. In any sense of the word, Wiki is a visionary that can paint the setting through this instrumentation that on OOFIE shines bright like the sunset on the Hudson. The first track, “Intro” is somewhat somber and can be used as a conclusion rather than an introduction to the work ahead. With this ethereal and distant beat that plays over vocal loops that are even farther away, Wiki is a sailor heading toward this siren song disguised as the 14-track, 43-minute OOFIE stamp of approval.

On the broken, but somehow flowing work “Pesto” that follows, Wiki takes the Tony Seltzer instrumental and breaks backs over it. This is an aggressive formation that has been given glimpses in the past but now is on full approach. The ambidextrous nature that Wiki holds as he switches from cabs to trains with a head bursting with steam, he seems to be this overlord with control as he spits. He speaks about his stance in music describing, “Reviews strong, not enough views on the songs, bar level on like ten thou. Motherfucker, yeah I been here for a while.” Showing a gritted teeth and almost bitter sway in his vocals, he transitions into the following work featuring Lil Ugly Mane and Denzel Curry.

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The hook here laid by Wiki on “Grim” is introspective and almost threatening as he describes, “When that Grim Reaper come could be chilling by the pool, ain’t nowhere to run man, the suns coming up and you ain’t gonna be around to see it when it’s full.” There is however this all-star cast of once underground musical heroes now almost breaching mainstream as Lil Ugly Mane drops one of his strongest verses ridden through anxiety and substance. “Grim” is a track that made the hidden memories of a high school reflection jump out of the skin and grin like the lottery was just won. Seeing Wiki, Lil Ugly Mane, and Denzel Curry all appearing on a single entity was enough lyrical ability to cross up even the strongest of any three-man weave teams.

As the halfway point splits and Wiki reaches “Way That I Am,” he recruits longtime collaborator Your Old Droog who illustrates a strong send-off into the second chapter of OOFIE. The chemistry that the two have is inspiring as they come together and just simply stand off to the side like New York vigilantes. They ignore the critics’ written word and instead live by this mantra on the track describing, “It’s just the way that I am, it’s how I live I do what I do.”

OOFIE sees a lot of green in Wiki’s future from the weird kid obsessed with Manhattan to being the golden child of the city. He is proud to be where he is from and OOFIE is an extension of maturing while staying in the artist spotlight.

Listen To OOFIE Here!!! – Spotify/Amazon/iTunes

 

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STREAMING // (Track) BLACK KRAY AKA SICKBOYRARI – “Bussin (At’Em)”

Posted on November 21, 2019 by Matt's Music Mine

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Produced By: Trip Dixon

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STREAMING // (Tracks) BLACK TEENAGER – “Alone_Forever_3” + “BiRD”

Posted on November 21, 2019 by Matt's Music Mine

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Listen Here – Soundcloud (Alone_Forever_3) / Soundcloud (BiRD)

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Produced By: BLACK TEENAGER

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STREAMING // (Video) Lil B – “Task Force Let Us In”

Posted on November 21, 2019 by Matt's Music Mine

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Listen/Watch Here  – Youtube

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“I LOVE YOU SO MUCH!!!!!!! YEP LETS GET IT! – Lil B”

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LIVE PHOTOGRAPHY – SHOW ME THE BODY AT NOW THAT’S CLASS, NOVEMBER 19TH, 2019

Posted on November 20, 2019 by Matt's Music Mine

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LIVE PHOTOGRAPHY – UROCHROMES AT NOW THAT’S CLASS, NOVEMBER 19TH, 2019

Posted on November 20, 2019 by Matt's Music Mine

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LIVE PHOTOGRAPHY – HEART & LUNG AT NOW THAT’S CLASS, NOVEMBER 19TH, 2019

Posted on November 20, 2019 by Matt's Music Mine

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