Mach-Hommy is almost this rap-game phantom of the opera appearing only in the darkest corners as a shining redemption that stems from the mask. This Haitian flag bandana might be the first glimpse of what the internet could gather around for his endorsements by hip-hop’s finest but then stay for the immaculate storytelling ability and persona of a young Henri Christophe.
Standing above the coastline and looking down at his kingdom, Mach-Hommy is many favorite rapper’s favorite rapper for the way he creates a conflict within his wordplay and the illustrious production choices. On his 2019 project Wap Konn Jòj!, there is this quote that floats around in the head of the audience far after the record has ended. “Play stupid games, win stupid prizes” describes the hook of “Mozambique Drill” featuring Tha God Fahim. Over these samples that lay the foundation like brick, Wap Konn Jòj! is an 18-minute, 7-track shotgun of surgical magnificence and significance even over the short run time.
On the following self-titled track “Wap Konn Jòj,” Mach-Hommy takes the center stage and spends most of the track singing along to the repetitive hook that describes, “The only one to blame is you… fuck nigga” with this lingering on the A vowel that appears to drag off into the next lines. It is a record that transitions well, creating a constant flow of motion with an endless cycle. As “Eedeot Bwoy” begins and features both Tha God Fahim and Your Old Droog, it is this jump into the pit of real rap collectives.
It is this round table imagining that dawns Quelle Chris, Tha God Fahim, Your Old Droog, and Earl Sweatshirt as they sit and plug their verses onto the record. Mach-Hommy appears to be selective, but continuous with his feature choosing and that plays into the action of Wap Kon Jòj!. It is difficult to imagine tracks like “Mittrom” without the Earl Sweatshirt feature as the track opens with a short, but well-lived verse that claps back into Hommy’s hands. With this word scramble of “See the law of averages, see the crystal ball?.. you ain’t even on my planet yet, how you even on?” as Hommy shoots back toward the listener in this display of dominance.
With Wap Konn Jòj!’s horizon starting to fade and then the inevitable silence that approaches the listener moves forward, Mach-Hommy stands almost as living folklore. He is a colorful character that not only can construct an authentic touch to an often very distance genre without trying too hard. While most people break their necks for an inch of space in music, Mach-Hommy plays osselets and keeps his distance.
Listen/Watch Here – Youtube
Song produced By: Gud
Music Video Directed By: Suzie And Leo
Produced By: Residence
Director Of Photography: Quentin Devillers
Steadycamer : Sacha Naceri
Stylist: Naracha Voranger
Casting Director: Marie Levy
Movement Director: Jorane Rest
Editor: Edouard Mailaender
Producer: Geoffroy Guillaumaud
S/O kendal johansson (blue moon)
Listen/Watch Here – Youtube
Director: Fifty Grand
Creative Director + Producer By: Attic Plants
Producer + Editor: Will Mason
Talent: Ogechi Onuigbo
Makeup: Thirati K
Colorist: Corey Vent
DP: Kelsey Talton
1st AC: Samantha Kelly
2nd AC: Dave Picci
Gaffer: Phil Jackson
PA: Ernesto Roche
Listen/Watch Here – Youtube
Directed By: Dom Glover
Creative Directed + Edited By: Aris Chatman
Produced By: Mike Power
VHS Camera: Dom Glover
Digital Camera: Aris Chatman
Special Thanks: Ryan Miles
Listen/Watch Here – Youtube
Video Directed (Filmed + Edited) By: P.V.
Co-Directed + Photography By: SNAPS
Additional Photography By: BLADI
Produced By: ZONEOUT WORLDWIDE + DJ SKIDROW
Listen Here – Soundcloud
It is hard not to notice the adaptability and lifespan that Wiki has had as a career MC and writer in the harsh game of rap. It seems more like a sport for him as he bounces from court to court, whether on this continent or the next to administer an iron grip on the mic. On his second studio record but now double-digit era project, if including his past works, OOFIE is somehow captured by that singular phrase. It fits this odd, but Icarus flight that bends the pages towards a rise rather than an eventual fall.
Wiki has always had a strong production backing whether coming from Ratking’s often ambitious sampling works and busy instrumentals, to the more spread out work that followed from his pieces Lil Me and No Mountains In Manhattan on his solo ventures. In any sense of the word, Wiki is a visionary that can paint the setting through this instrumentation that on OOFIE shines bright like the sunset on the Hudson. The first track, “Intro” is somewhat somber and can be used as a conclusion rather than an introduction to the work ahead. With this ethereal and distant beat that plays over vocal loops that are even farther away, Wiki is a sailor heading toward this siren song disguised as the 14-track, 43-minute OOFIE stamp of approval.
On the broken, but somehow flowing work “Pesto” that follows, Wiki takes the Tony Seltzer instrumental and breaks backs over it. This is an aggressive formation that has been given glimpses in the past but now is on full approach. The ambidextrous nature that Wiki holds as he switches from cabs to trains with a head bursting with steam, he seems to be this overlord with control as he spits. He speaks about his stance in music describing, “Reviews strong, not enough views on the songs, bar level on like ten thou. Motherfucker, yeah I been here for a while.” Showing a gritted teeth and almost bitter sway in his vocals, he transitions into the following work featuring Lil Ugly Mane and Denzel Curry.
The hook here laid by Wiki on “Grim” is introspective and almost threatening as he describes, “When that Grim Reaper come could be chilling by the pool, ain’t nowhere to run man, the suns coming up and you ain’t gonna be around to see it when it’s full.” There is however this all-star cast of once underground musical heroes now almost breaching mainstream as Lil Ugly Mane drops one of his strongest verses ridden through anxiety and substance. “Grim” is a track that made the hidden memories of a high school reflection jump out of the skin and grin like the lottery was just won. Seeing Wiki, Lil Ugly Mane, and Denzel Curry all appearing on a single entity was enough lyrical ability to cross up even the strongest of any three-man weave teams.
As the halfway point splits and Wiki reaches “Way That I Am,” he recruits longtime collaborator Your Old Droog who illustrates a strong send-off into the second chapter of OOFIE. The chemistry that the two have is inspiring as they come together and just simply stand off to the side like New York vigilantes. They ignore the critics’ written word and instead live by this mantra on the track describing, “It’s just the way that I am, it’s how I live I do what I do.”
OOFIE sees a lot of green in Wiki’s future from the weird kid obsessed with Manhattan to being the golden child of the city. He is proud to be where he is from and OOFIE is an extension of maturing while staying in the artist spotlight.