Listen Here – BandCamp
Remixed + Remastered By: Ben Liberto
Track List: Funny How?, Five And A Half Minute Hallway, Money And The Hammer, Birth.Conspire.Return.To.The.Void., Seeds Of Light, Etched In Stone (Zone 7)
Listen Here – Spotify
“A playlist of tracks that were featured on MattsMusicMine.com from the week of November 30th – December 6th. From Reviews to Streams, never miss a track with these playlists that are uploaded every single Sunday till I drop dead.”
Featuring: Altar Of Plagues, Tierra Whack, Action Bronson, Meyhem Lauren, Hologram, Mr. Bungle, Benny The Butcher, Chet Baker, Conway The Machine, El Camino, Young Nudy, Opening Performance Orchestra, Iggy Pop, Bil Laswell, Sha Hef, Jim Jones, Of Feather And Bone, Public Acid, King Gizzard & The Lizard Wizard, Your Old Droog, Juicy J, Human Law
Track List: God Alone, Twelve Was Ruin, Peppers And Onion, Mongolia, Glutton For Punishment, Famous, I Should Have Told You, Sunday In Town, Forever Droppin Tears, Never, The Acid Lands, Time Zones, Nectemnania, Electric Plague, Flag Fetish, Minimum Brain Size, Kyrgyzstan, KILLA, Conscious
Listen Here – Spotify/Amazon/iTunes
Featuring: Wiz Khalifa, 2 Chainz, Lil Baby, A$AP Rocky, Conway The Machine, Key Glock, Young Dolph, Logic, NLE Choppa, Megan Thee Stallion, Ty Dolla $ign, Jay Rock, Project Pat
Track List: BEST GROUP, GAH DAMN HIGH, SPEND IT, PO UP, KILLA, THAT’S THE WAY IT GOES, SHOPPING SPREE, 1995, WHAT I NEED, SHAWTY BAD, LOAD IT UP, SHE GON POP IT, MEMPHIS TO LA, DATZ WHAT IT IZ, IN A MIN, I CAN’T STOP
Listen Here – Soundcloud
Public Acid isn’t just what needs to be implemented into the school system but is perhaps one of the more illustrative acts of 2020. For only being available over six tracks and a total of nine minutes, Condemnation EP is a powerhouse of punk and feedback through the machine.
Opening with “Nuclear Child,” Public Acid wastes no time immediately constructing this punchy floor-tom stagger where the strings and vocals can then begin a sonic conquest. The legs twist and conform to a new beat as the individual members seem to work against each other rather than together attracts much of the attention. Much of “Nuclear Child” and Condemnation EP rather is a carnival of souls that resembles fragments of progression and concurrent steps into strength rather than a full-on mission.
But on “Electric Plague” the band seems to be more about one overarching march into the depths of despair rather than having multiple members bounce around in opposing styles. The short runtime of the tracks here aids in the replayability factor and pushes Condemnation EP as one of the easier dishes to stomach over such a volatile bed of rice. Nothing seems easy, however, and one of the moments of power from Public Acid comes from their ability to be the controlling and dominant force in the room.
Similar to an atom bomb of sound, Public Acid would rather spend their dying breath punishing the audience than making any stride toward self-perseverance. A somewhat noble act as “Condemnation” and “Spoiled By Hate” arrive on the scene like solidified napalm. They coat the record in a hellish fire that is co-precipitated by aluminum salts that embed in the record and burn a whole new way. Frankly, Condemnation EP is abusive but impossible to turn away from.
With each second resembling impending doom, Public Acid seems unkillable and something that just won’t stay dead. Even on the final track “Flag Fetish” which sticks the knife in for one last twist, there is nothing redeeming that Public Acid does not already display to the audience. The headstrong guitar solo or the percussive grenades that shellshock the listener, to the distortion that carries the bodies to an unmarked grave; Public Acid is a living, breathing 100-car pile-up.
No survivors, no hope of light in the future, Public Acid is exactly what you want from a hardcore punk record. The destructive undertones, the lack of real finesse, and the stench of animal instinct. Bless to the studio that was no doubt left in ashes after Condemnation EP was finished there.
Listen Here – BandCamp
Track List: K.G.L.W., Automation, Minimum Brain Size, Straws In The Wind, Some Of Us, Ontology, Intrasport, Oddlife, Honey, The Hungry Wolf Of Fate
Listen Here – BandCamp
Track List: Cryptospehre, Distorted Perception, Protest Against Sanity, Chemical Illusion, Destroyer, Eternalism
Listen Here – BandCamp
Recorded By: Ben Romsdahl
Produced, Mixed, + mastered By: Arthur Rizk
Artwork By: Stewart Cole
Track List: Regurginated Communion, Entropic Self Immolation, Noctemnania, Consecrated And Consumed, Sulfuric Sodomy, Baptized In Boiling Phlegm
Listen Here – BandCamp
Track List: The Acid Lands, The Acid Lands (Ambient Mix-Translation), Naming The Seven Souls
Listen/Watch Here – Youtube
Featuring: El Camino
Produced By. (Prod By Erick Sermon + Da Rockwilder
Director & Editor: Langston Sessoms
DP: Caleb Nunn
Stylist: Jannique Heard
PA: Kareem Calhoun
Staring: Shotz + T Glow
While most of the memories of Chet Baker come from his ability to protrude excellence and dominance from his trumpet, on his 1969 composition Albert’s House, however, is more fitting for a funeral than a summer of life.
Coming off a horrific beating after a show in San Francisco, Baker broke his front teeth and in an essence, ruined his embouchure. Albert’s House is never remembered for the conquering playstyle that Baker was able to exhibit before, but is instead fascinating to see the continuation of progression even after the physical defect. Even from the first moments of Albert’s House, the somber air cuts through the speakers like dead flowers in a parlor.
The trumpet from Baker is accompanied by Paul Smith on piano and organ which frequently takes the place of the dominating factor. Smith is essentially able to become the powerhouse on the piano and organs and gives the record that almost deafening wounded sound. Following is Barney Kessel on the guitar and Jim Hughart on the bass. Frank Capp leads the percussion and while subtle at most points, can bear light in a daunting overcast.
Tracks like “I Should Have Told You” or “Sunday In Town” are both drained but still have these moments of opaque beauty that is blinding at points. Baker even while a tragic character for the audience to follow on Albert’s House is able to be prolific at times. This reoccurring string that Baker plays seems to pop up at the climax of certain tracks like a theme in shambles. “Sunday In Town” especially fits that sectioning of work that borders and is able to consistently teeter between the devastating and the rebirth of a new franchised artist.
Even when Albert’s House does get more into lively efforts like “End Of The Line,” Baker is still not powerful enough to carry here. So he recruits some Latin-esque influence through shakers and more loose flowing keys that gives a much-needed boost of energy into the mixing bowl. But that bowl is still an isolated arching product that ends up showing both the determination of Baker and the endurance of a player here.
Preferably taking sections where the notes are not as powerful or the composition as strong as it could be, Albert’s House is a vulnerable record that puts the strengths of Baker to the back and settles for his weakness as the central spotlight. While never being a record that stands among his discography and truly fits in, Albert’s House can stand alone and in doing so, makes the human connection of empathy over interest.
Listen Here – BandCamp
Track List: Grizzly Adams, Anarchy Up Your Anus, Raping Your Mind, Hypocrites / Habla Español O Muere, Bungle Grind, Methematics, Eracist, Spreading The Thighs Of Death, Loss For Words, Glutton For Punishment, Sudden Death