STREAMING // (Album) DOGMA – “DOGMA”

Listen Here – BandCamp

Track List: AUSTERITY, CAGED, NEW WORLD, BEAUTY, UP AND COMING, SANCTUARY, STIGMA, INDOCTRINATION, ZEALOT, REPETITION

New Music – Iron Will

Often times black metal relies more on the creation of the still pattern that is steady and more ingrained with the motive of being a séance rather than any sort of intricate work. Akhlys is able to change that and become more frightening and unorthodox in their approach to the black metal undertone.

On their December release, Melinoë is frankly a frightening piece of art that is reflected by both the cover and the sudden jumps through everlasting flames. The water rises higher as the sun sets but on the introductory track, “Somniloquy” is frantic and quickly makes a nest in the more treacherous resources of the mind.

Similar to driving through a snowstorm at full speed, Akhlys is dangerous and almost impossible to gauge where they will be striking from. The elements of vocals that are more wails from the shadows than any sort of growling become engrossed between the strings and percussion. More time seems to be spent in the driving brute force than any within the atmospheric building on “Somniloquy.”

It’s only until “Succubare” do the whirlwinds of cascading rooms and doors begin to close on the listener as the razors on wire shrill and slides up the spine. The harsh cold that was once present is now replaced by immense and unforgiving darkness that resembles cave walls on a winter night. The blackened figures dance on the walls but are close to the Innervisions of the cracked feeble mind where the whispers are heard like chambers from a gun.

Still shocking which follows a similar vein throughout Melinoë, only can Akhlys be such a passionate creature of both utter horror and manipulative monstrosity. The long-drawn bows of the following track “Ephialtes” act to peel back the skin and framework and rely on a pure technicality to survive. The playstyle here while rushed and forceful, can be admired for the way that Akhlys is able to conquer through sound.

Never faltering or turning an eye backward, the break downs toward the five-minute mark of “Ephialtes” is exactly placed to conjure some sense of doubt from the listener. As Akhlys carves harder into the ears, the clean delivery is nearly entirely foreign to the audience. Most of the five tracks are split into evenly cut corners of the slugfest and the earthly builds.

Combining both ingredients makes for one of the strongest black metal records of 2020 based on emotion alone. The level of skill is able to back a foundation, but Melinoë succeeds off its ferocity and unmatched character in the ring.

Listen To Melinoë Here!!! – BandCamp

STREAMING // (Album) Sainte Marie Des Loups – “Funérailles De Feu”

Listen Here – BandCamp

Track List: Anciens Serpents, Meurtrières, Funérailles De Feu, Dans Les Yeux De Méduse, Interdit Et Oublié, Des Profondeurs Le Silence, Visions

STREAMING // (Album) Deafheaven – “10 Years Gone”

Listen Here – BandCamp/Spotify/Amazon/iTunes

Track List: From The Kettle Onto The Coil, Daedalus, Vertigo, Language Games, Glint, Baby Blue, The Pecan Tree, Dream House

STREAMING // (Video) La Femme – “Cool Colorado”

Listen/Watch Here – Youtube

Video Produced By: La Femme + Aymeric Bergada du Cadet

Dancers: Samantha Quealy, Shanice Sloan, MagneticMorgan, + Louise Goulouzelle

Choreographer: Samantha Quealy

Producers: Disc Pointu and Wacko + Première Heure

Executive Producer: Céline Lopez

Classic Day – Legacy Of Brutality

Hard to believe that 10 years ago Nails was able to insert oppressive blast beats and floods of instrumental hell into the feeble frame of only 13 minutes. Marching down the funeral line like a wrecking crew, Unsilent Death is a burial at sea.

Never full at rest through the crashing waves and seemingly endless assault of uncertainty, Nails is immediately punishing with “Conform.” More walls of noise that constrict on the audience, “Conform” and the tracks to follow spend no time wasting for introductions or to build. Instead, the intensity rises and through the onslaught of continuous instrumentation pounding away like a hammer and anvil crunch, Unsilent Death is as deadly as it is striking.

Full of breakdowns like on “Scum Will Rise” or “Traitor,” the pits are at a frenzy like sharks in a pool of blood that through confusion and insolence bring more teeth to bite. Much of Unsilent Death is disguised as 10 tracks that through the average run time of under a minute, are crawls from the depths and mire. Even just listening feels to be a taxing activity since the percussion is a wild animal incapable of taming that headbutts face-first into the strings and vocals.

Todd Jones on screams and guitars works with John Gianelli on bass and Taylor Young as the overtly aggressive trio that brings on Kurt Ballou as an engineer and mixer for the project. Ballou who seems to touch almost every metal project that resonates on the golden shelf, Unsilent Death is a sonic firing squad that without hesitation cannot wait to pull the trigger and mow down the line.

The final track, “Depths” however is the longest, standing at three minutes and 48 seconds, and aids to bring a concise recapturing of everything that the audience witnessed on Unsilent Death. The fast breaks where necks snap, to the bone-shattering sluggish swings disguised as breakdowns.

“Depths” is going to be the best representation of Nails for their unrelenting spirit and fighting edge, Unsilent Death even 10 years after the initial release is still kerosene in a fireworks factory.

That goes for most of Nails‘ ability here though and in short doses like the 13 minute run time allows Nails to spread out enough and grab throats before vacating back to the nightmare from which it came. Dreams become cracked porcelain, hopes shattered, but the monument to hardcore rises like the rope that hangs a broken and bruised, nearly unrecognizable corpse.

Listen To Unsilent Death Here!!! – BandCamp/Spotify/Amazon/iTunes

STREAMING // (Album) TRiPPJONES X Loko Los X SpaceGhostPurrp – “Gladiator Season Vol. 2”

Listen Here – Soundcloud

Featuring: DirtBagMarley, Yung Mojo, Wifigawd, Morgue, SpaceGhostPurrp

Produced By: IAmPissed, KRXXK, Tony Seltzer, Doctor Slice, SpaceGhostPurrp

Track List: GS2 INTRO, DO REAL THINGZ, OFF THE BOOKZ, TEAR DROP PART 2, U-LOCK JUSTICE, DOLLAR DREAMZ, FROST ZONE, DARK TRAP 2K20, EVIL WAYZ, JUNGLE DANCE *NIGHTMORE*, DADE 2 NY, FRENZY MODE, FRENZY KILL

STREAMING // (Album) Escante – “2020”

Listen Here – BandCamp

Vox: Christian Gabriel

Bass + Vox: Boria

Guitar + Vox: Omar Elsafty

Drums: Miggy Alvarado

Vox: Reptilian Deluxe

Track List: Intro, Grande Criminales, Lo Que El Mundo Evita, Señor Oficial, Irritación Social, Cárcel Artificial

Misc. Day – Atlanta’s Snowman

Yeene-enno that when Jeezy is able to step through the hallowed concrete cemetery disguised as Atlanta and into the living room of the listener on Trap Or Die 3, he is able to establish himself as the alpha male in the room.

With a grumbling voice made from years of gravel and grime, Jeezy’s delivery is immediately a boost of adrenaline and as the instrumentation that follows from producers like Shawty Redd, 30 Roc, or Mike WiLL Made-It adds to the intimidation factor. Established in a city that holds only nearly 500,000; Jeezy feels like a conqueror of worlds through trap rap.

Opening with “In The Air,” the 16 track mixtape is held as if it was an operatic experience. With vibrant strings and a furious 808 that seems to be ever-present like a looming specter, Jeezy is in full control of this Hellcat disguised as Trap Or Die 3. He begins by describing, “Heard the streets is talking to them bitches I’m listening. Y’all gon make me whip a quarter mil up with my wrist and shit. Shawty Redd got the beat banging, Snow back on his Snow shit.” As his ad-libs that resemble echoed laughs and screams of “Yeahhhhhhh,” Trap Or Die 3 is a telenovela where Jeezy is the star.

Especially on later pieces like “All There” which features Bankroll Fresh where the two lyricists can trade bars like Tyson and Ali, but Jeezy has the hand on the shifter. When the bell rings, Bankroll Fresh swings first and illustrates, “Dope Boy, ’95 Air Max on. Came from up the road boy you know we tax homes. You want a whole thing hit me on the black phone.” Then later on the hook Bankroll Fresh and Jeezy are able to combine like a project Voltron for a beast of delivery.

“Selling dope by the pot, straight drop it’s all there. Yeah, I just ran through the bag it’s all there. Pull up if you wanna buy a half it’s all there 28, 36, a 1000, all there.” Over the reliance of a church-bell set up to orchestrate the instrumentation by D. Rich, something about Trap Or Die 3 feels eerily similar to a guidebook like the Bible could be.

Even as the pot stays on the burner, Jeezy keeps spinning a block to circle back and lay down some foundation. Under an unbelievable amount of continuous hits and punches, Trap Or Die 3 spends all its time as the aggressor and wants to physically bury any listener that busts the plastic.

Listen To Trap Or Die 3 Here!!! – Spotify/Amazon/iTunes

STREAMING // (Album) Accidente – “Canībal

Listen Here – BandCamp

Art + Design By: Mario Riviere

Bass + Backing Vocals: Ranzio

Percussions: Edu

Percussion: Oli

Guitar + Backing Vocals: Miguel

Guitar, Keyboards, + Backing Vocals: Pablo

Vocals: Bianca

Track List: Desmesura, Hablar De Lxs Muertxs, Demonio, Colze A Colze, Caníbal, Lo Que Importa, La Mataron, Luchar, La Culpa, Vuestra Historia