Listen Here – BandCamp
Vocals: Jim Hodge
Bass: Daniel Dolby
Drums: Michael Shepherd
Guitars: Phil Johnson + James Lee
“Black Death” Co-Written By: Matthew Dennett
Album Cover Designed By: Daniel Dolby + Phil Johnson
Track List: Hellcircle, Bubonic, Brainbleed, Quarantine, Vermin, Torture, Weep, Black Death
There are some moments where too many cooks in the kitchen can actually be a positive thing. In the case of Future and Lil Uzi Vert on Pluto X Baby Pluto, the spaceship takes off and seems to be a cascading dream that was the discussion of high school lunch tables in 2015.
There was no way that Future could coexist within the same world as Lil Uzi Vert, but understandably they hit the same veins of hip-hop. The delivery was just slightly altered to fit a unique status. As Pluto X Baby Pluto begins, the 808 stomp on “Stripes Like Burberry” is a timid blend of the two together. Not really breaking through the barrier like a rampaging animal, that comes after on “Marni On Me” where the lanes switch and become more adaptable to a modern club scene.
Two places that Vert and Future dominate, the delivery from the pair coincide like oil and a pan. The hook while repetitive is covered by Vert and Future trading back and forth on verses where one will start and the other will take the reins to finish. Describing, “Chopper right under my seat,” Future then comes in, “I don’t wanna talk if you if you talkin’ cheap.” The chemistry conflicts like two champions of rap that instead of battling to the death, turn on the king and go for a split crown.
The following track “Sleeping On The Floor” holds one of the more creative lines and braggadocious bars from Future describing, “I wear more Gucci than Gucci.” The production from D. Hill and Loudy Luna is rambunctious enough to not even need verses to be engaging. The screeches from Vert in his ad-libs and lyrical displays like “High off of pills, talk with two phones, look at them two bitches that was with me. Both suckin, I get two domes,” are exciting in the right state of mind.
Halfway through the project though, it is almost as if Vert passes Future in ability and stamina. Most of the production here fits like a glove to Vert and at times feels as if Future is trying to push himself to fit the verses. Not that Future is not present, he is but at times regresses to being overshadowed by Vert who is energetic on the tracks and is slightly easier to follow from a distance
It is hard to identify why Pluto X Baby Pluto fits into this frame of reflected diamonds and clear stones, but everything is so polished and clean that the love of Future and Vert comes from the ugliness that surrounds them and how they can twist that into a new planet.
Listen Here – BandCamp
Artwork By: Cheryl Billingham
Produced By: Jack Ashley
Track List: I Am Always Hungry, The End Of Summer, I Don’t Need To Apologise, God’s Forgiven Me, You’ve Gone Grey, Freak Show Sideshow At The Shit-Show
Listen Here – BandCamp
Recorded + Mixed By: Nikolaus Preglau
Mastered By: Sasha Stroud
Cover Artwork By: Dima
Track List: Intro, Mourn The Dead, Intoxicated, Curse/d, Built To Rot, Dust To Dust, Death Threat
Listen Here – Spotify
Listen Here – BandCamp
Produced By: Mueran Humanos + Pablo Thiermann
Recorded + Mixed By: Pablo Thiermann
Mastered By: Jari Altermatt
Listen Here – BandCamp
Mastered By: Will Killingsworth
Track List: Fantasia Del Progreso, Doblegados, Arrasa, Sedición, Tirania, Pacificar, La Ciudad Es Hostil, Violencia En Las Calles, Proceso Total, No Hay Lugar, Mundo Infesto
Always seeming to be nearby in the cesspit of the internet’s realm of music, Ty Segall’s third studio record Melted is nearly the perfect lunch break of sound.
Through 30 minutes over 11 tracks, Melted has Segall bouncing from being the manipulative czar that peels back the skin on “Finger.” Almost every second spent with Segall is one of shifting planes and the inability to crack down on one particular style which no doubt, works for them in a matter of placement.
“Finger” opens to be subtle at first glance, but as the electricity is introduced to the mix, Melted becomes transportation in sonic grasps. Segall covers the vocalization, guitar, percussion, bass, and even keyboards on the instrumental side and then actually handles the mixing as well which displays the modern capabilities of a renaissance man. The entire package of instrumentation on Melted seems to almost creep in with seconds becoming segueing slots for Segall to break earth upon.
The transition into “Girlfriend” which features Charlie Moonheart who is a staple of Segall’s on the percussion, the rambunctious nature is like a pressure cooker. While the lyrics on the track are not quite astonishing, the emotion behind the track cuts through like a powerhouse. Segall’s screams and howls over the two-minute instrumental are animalistic while he blurts out, “I got a girlfriend, she said she loves me. She likes to hold me, she once told me. Cause she don’t mind, nothing, nothing.”
It seems hard to nail down individual tracks on Melted as the pieces are treated like indigents to a cake that becomes baked all together. With Segall pushing into tracks like “imaginary Person” from “Sad Fuzz” or “My Sunshine,” the power sequences over like a transformer. It shocks the audience and manages to push them into this corner while Segall takes over.
When that transfer of power happens, the track “My Sunshine” comes to mind as it has Melted acting more as the predator instead of the prey similar to “Girlfriend.” Segall is sporadic and blaring but never comes off as being too aggressive and this aids in his effort of control. He is an easy to follow leader that never fully destroys, but bends the lines enough to blur between creation and desecration.
Melted is a fitting description for the record as the glaze cools and what is left seems to be more resembling a burnt collage rather than a refined piece of art. Somewhere buried in the desert heat lies a smoking vinyl that smolders under Segall’s range of sonic ability without a clear sense of coming back.
Listen Here – BandCamp
Artwork By: Nathan Ward
Recorded By: Garp Rickleman
Mastered By: North London Bomb Factory
Songs Written By: Gin Lemon
Special Thanks: Van Halen + Steve Vai
Track List: Your Ex-Girlfriend Is Dating A Nazi, B.D.T.C.C.C., Born Loser, You’re On My List, Craft Cocktails, King Of Brunch, I Drive A Truck, 2 Cops 0 Robbers, I Better Take Drugs, Step On Me
Listen/Watch Here – Youtube
Directed By: Slim Gus. The Video Shotta
Co-Director: The Real Tony Dinero
Don’t let the fast breakneck bass and percussive combination fool you, at first glance; Hunger For A Way Out by Sweeping Promises is smooth to the touch and immediately an injection of serotonin from the cold world.
The bedroom pop begins from the inception of the cheerful pitched synths and almost loose style of play that is reflective of an amateur start. But truthfully, this edge adds to the humanistic moments where Sweeping Promises are able to fully realize this monument of sound. Lira Mondal covers the vocals here and is an incredible defining factor to the record. From the title track alone, there is something enticing about her velvet delivery.
It is somehow minimal and resembles being captured all from a single microphone in a basement show where the audience is just inches away from the band. The entire place smells like cheap beer and even cheaper cigarettes, but Sweeping Promises is able to add new vitality to the room that hasn’t been seen before.
They lean hard into the bass being a detrimental piece of the puzzle as it begins to work like a brick mason pounding away at laying an obsidian-esque foundation for Sweeping Promises to live upon. On tracks like “Out Again” or “Falling Forward,” the bass is more of a tool than an instrument, but that goes for most of Hunger For A Way Out. Even the dual exhausted writing from Caufield Schnug and Mondal is refreshing as the production is handled in this way of being thrown together but not sloppy.
The progression makes sense here, but it never focuses entirely on segueing and posts more about just the initial impact of the push. One of the later tracks, “An Appetite” has Sweeping Promises working like a tandem bike with psychedelic undertones as blaring synths for only a moment to fill the quarter note beats. The percussion relies on a cymbal rattle to cover most of the splashes of color and the bass for once is less of a focus.
“An Appetite” rearranges the furniture and unveils just how much space that Sweeping Promises has to work with. Never faltering to a total conformed fit, Hunger For A Way Out is familiar but at the same time new enough to warrant a revisitation.
Hearing those strong riffs from the first seconds to the melancholy heartbreaks of the final half, Sweeping Promises is in with 10 tracks and leaves in 27 minutes. With just enough time to catch the eyes of everyone in the room and disappear into the smoke under a guise of lo-fi love.
Listen/Watch Here – Youtube
Originally Released In March 2017
Directed By: Wiki
Shot By: Jonah Schwartz
Edited By: Ryosuke Tanzawa
Produced By: Matt Lubanksy
Track produced By: Mack
Listen Here – BandCamp
Special Thanks: Saniyah, Cam, Zeroh, Cauncey, Brian, Felix, Caleb Tomin
Produced By: Kahlil Blu
“VICTORY” Produced Byu: Caleb
Trumpet By: Tomin
Track List: STILL LONELY, CALL 911, OPAL AIRLINES, WW3, UPTOWN RAGER, TIME FLIES, BUTTERFLY EFX, UZI SHRUG, HELLO, VICTORY
Listen Here – BandCamp
Featuring: Julian Xeer
Recorded + Mixed By: Scot Moriarty
Layout + Design By: Christopher Eustaquio
Lyrics By: Lex (All Words On “Skull Temple” By: Julian Xeer)
Art + Photography By: TJ Olas, Lex, Rob Gonzalez, + Jesse Draxler Special
Thanks: Ross Bradley, Fred Pruden, + all the homies.
Track List: Birthed, Molt (This Feels Like Death), Skull Temple
Listen Here – Spotify
“A playlist of tracks that were featured on MattsMusicMine.com from the week of December 14th – 20th. From Reviews to Streams, never miss a track with these playlists that are uploaded every single Sunday till I drop dead.”
Featuring: Jeezy, Yo Gotti, Bankroll Fresh, Yellow Days, Escante, TRiPPJONES, SpaceGhostPurrp, Loko Los, Lucki, Nails, Keziah Zionna, D Double E, Skepta, Bill Waves, La Femme, Deafheaven, Akhlys, Da$H, Sainte Marie Des Loups, Rigz, Futurewave
Track List: Where It At, All There, Love Is Everywhere, Grande Criminales, Tear Drop Pt. 2, Widebody, Suffering Soul, Depths, Trippn’n, Don, 1000 Miles Away, Cool Colorado, Baby Blue, Somniloquy, Ephialtes, Mr. Frosty, Funérailles De Feu, Bodies Behind Mojoes
Listen Here – BandCamp
Mixed + Mastered By: Will Killingsworth
Track List: Strangle You, Make Them Pay, Voyeur, Quarantine, Hated In H.S., Parasite, Dead Alive, Stomp On Me, Torture Chamber, Rotten & Screwed