STREAMING // (Album) Mastiff – “Plague”

Listen Here – BandCamp

Vocals: Jim Hodge

Bass: Daniel Dolby

Drums: Michael Shepherd

Guitars: Phil Johnson + James Lee

“Black Death” Co-Written By: Matthew Dennett

Album Cover Designed By: Daniel Dolby + Phil Johnson

Track List: Hellcircle, Bubonic, Brainbleed, Quarantine, Vermin,  Torture, Weep, Black Death

New Music – A Christmas Miracle

There are some moments where too many cooks in the kitchen can actually be a positive thing. In the case of Future and Lil Uzi Vert on Pluto X Baby Pluto, the spaceship takes off and seems to be a cascading dream that was the discussion of high school lunch tables in 2015.

There was no way that Future could coexist within the same world as Lil Uzi Vert, but understandably they hit the same veins of hip-hop. The delivery was just slightly altered to fit a unique status. As Pluto X Baby Pluto begins, the 808 stomp on “Stripes Like Burberry” is a timid blend of the two together. Not really breaking through the barrier like a rampaging animal, that comes after on “Marni On Me” where the lanes switch and become more adaptable to a modern club scene.

Two places that Vert and Future dominate, the delivery from the pair coincide like oil and a pan. The hook while repetitive is covered by Vert and Future trading back and forth on verses where one will start and the other will take the reins to finish. Describing, “Chopper right under my seat,” Future then comes in, “I don’t wanna talk if you if you talkin’ cheap.” The chemistry conflicts like two champions of rap that instead of battling to the death,  turn on the king and go for a split crown.

The following track “Sleeping On The Floor” holds one of the more creative lines and braggadocious bars from Future describing, “I wear more Gucci than Gucci.” The production from D. Hill and Loudy Luna is rambunctious enough to not even need verses to be engaging. The screeches from Vert in his ad-libs and lyrical displays like “High off of pills, talk with two phones, look at them two bitches that was with me. Both suckin, I get two domes,” are exciting in the right state of mind.

Halfway through the project though, it is almost as if Vert passes Future in ability and stamina. Most of the production here fits like a glove to Vert and at times feels as if Future is trying to push himself to fit the verses. Not that Future is not present, he is but at times regresses to being overshadowed by Vert who is energetic on the tracks and is slightly easier to follow from a distance

It is hard to identify why Pluto X Baby Pluto fits into this frame of reflected diamonds and clear stones, but everything is so polished and clean that the love of Future and Vert comes from the ugliness that surrounds them and how they can twist that into a new planet.

Listen To Pluto X Baby Pluto Here!!!  – Spotify/Amazon/iTunes

STREAMING // (Album) Vandampire – “The Last Good Thing Has Happened”

Listen Here – BandCamp

Artwork By: Cheryl Billingham

Produced By: Jack Ashley

Track List: I Am Always Hungry, The End Of Summer, I Don’t Need To Apologise, God’s Forgiven Me, You’ve Gone Grey, Freak Show Sideshow At The Shit-Show

STREAMING // (Album) DREGS – “Built To Rot EP”

Listen Here – BandCamp

Recorded + Mixed By: Nikolaus Preglau

Mastered By: Sasha Stroud

Cover Artwork By: Dima

Track List: Intro, Mourn The Dead, Intoxicated, Curse/d, Built To Rot, Dust To Dust, Death Threat

STREAMING // (Track) Mueran Humanos – “El Lago”

Listen Here – BandCamp

Produced By: Mueran Humanos + Pablo Thiermann

Recorded + Mixed By: Pablo Thiermann

Mastered By: Jari Altermatt

STREAMING // (Album) Muro – “Pacificar”

 Listen Here – BandCamp

Mastered By: Will Killingsworth

Track List: Fantasia Del Progreso, Doblegados, Arrasa, Sedición, Tirania, Pacificar, La Ciudad Es Hostil, Violencia En Las Calles, Proceso Total, No Hay Lugar, Mundo Infesto

Classic Day – White Moth

Always seeming to be nearby in the cesspit of the internet’s realm of music, Ty Segall’s third studio record Melted is nearly the perfect lunch break of sound.

Through 30 minutes over 11 tracks, Melted has Segall bouncing from being the manipulative czar that peels back the skin on “Finger.” Almost every second spent with Segall is one of shifting planes and the inability to crack down on one particular style which no doubt, works for them in a matter of placement.

“Finger” opens to be subtle at first glance, but as the electricity is introduced to the mix, Melted becomes transportation in sonic grasps. Segall covers the vocalization, guitar, percussion, bass, and even keyboards on the instrumental side and then actually handles the mixing as well which displays the modern capabilities of a renaissance man. The entire package of instrumentation on Melted seems to almost creep in with seconds becoming segueing slots for Segall to break earth upon.

The transition into “Girlfriend” which features Charlie Moonheart who is a staple of Segall’s on the percussion, the rambunctious nature is like a pressure cooker. While the lyrics on the track are not quite astonishing, the emotion behind the track cuts through like a powerhouse. Segall’s screams and howls over the two-minute instrumental are animalistic while he blurts out, “I got a girlfriend, she said she loves me. She likes to hold me, she once told me. Cause she don’t mind, nothing, nothing.”

It seems hard to nail down individual tracks on Melted as the pieces are treated like indigents to a cake that becomes baked all together. With Segall pushing into tracks like “imaginary Person” from “Sad Fuzz” or “My Sunshine,” the power sequences over like a transformer. It shocks the audience and manages to push them into this corner while Segall takes over.

When that transfer of power happens, the track “My Sunshine” comes to mind as it has Melted acting more as the predator instead of the prey similar to “Girlfriend.” Segall is sporadic and blaring but never comes off as being too aggressive and this aids in his effort of control. He is an easy to follow leader that never fully destroys, but bends the lines enough to blur between creation and desecration.

Melted is a fitting description for the record as the glaze cools and what is left seems to be more resembling a burnt collage rather than a refined piece of art.  Somewhere buried in the desert heat lies a smoking vinyl that smolders under Segall’s range of sonic ability without a clear sense of coming back.

Listen To Melted Here!!! – BandCamp/Spotify/Amazon/iTunes

STREAMING // (Album) Citric Dummies – “Die Nasty”

Listen Here – BandCamp

Artwork By: Nathan Ward

Recorded By: Garp Rickleman

Mastered By: North London Bomb Factory

Songs Written By: Gin Lemon

Special Thanks: Van Halen + Steve Vai

Track List: Your Ex-Girlfriend Is Dating A Nazi, B.D.T.C.C.C., Born Loser, You’re On My List, Craft Cocktails, King Of Brunch, I Drive A Truck, 2 Cops 0 Robbers, I Better Take Drugs, Step On Me

Misc. Day – Lavender Swirl

Don’t let the fast breakneck bass and percussive combination fool you, at first glance; Hunger For A Way Out by Sweeping Promises is smooth to the touch and immediately an injection of serotonin from the cold world.

The bedroom pop begins from the inception of the cheerful pitched synths and almost loose style of play that is reflective of an amateur start. But truthfully, this edge adds to the humanistic moments where Sweeping Promises are able to fully realize this monument of sound. Lira Mondal covers the vocals here and is an incredible defining factor to the record. From the title track alone, there is something enticing about her velvet delivery.

It is somehow minimal and resembles being captured all from a single microphone in a basement show where the audience is just inches away from the band. The entire place smells like cheap beer and even cheaper cigarettes, but Sweeping Promises is able to add new vitality to the room that hasn’t been seen before.

They lean hard into the bass being a detrimental piece of the puzzle as it begins to work like a brick mason pounding away at laying an obsidian-esque foundation for Sweeping Promises to live upon. On tracks like “Out Again” or “Falling Forward,” the bass is more of a tool than an instrument, but that goes for most of Hunger For A Way Out. Even the dual exhausted writing from Caufield Schnug and Mondal is refreshing as the production is handled in this way of being thrown together but not sloppy.

The progression makes sense here, but it never focuses entirely on segueing and posts more about just the initial impact of the push. One of the later tracks, “An Appetite” has Sweeping Promises working like a tandem bike with psychedelic undertones as blaring synths for only a moment to fill the quarter note beats. The percussion relies on a cymbal rattle to cover most of the splashes of color and the bass for once is less of a focus.

“An Appetite” rearranges the furniture and unveils just how much space that Sweeping Promises has to work with. Never faltering to a total conformed fit, Hunger For A Way Out is familiar but at the same time new enough to warrant a revisitation.

Hearing those strong riffs from the first seconds to the melancholy heartbreaks of the final half, Sweeping Promises is in with 10 tracks and leaves in 27 minutes. With just enough time to catch the eyes of everyone in the room and disappear into the smoke under a guise of lo-fi love.

Listen To Hunger For A Way Out Here!!! – BandCamp

STREAMING // (Video) Wiki – “Icarus”

Listen/Watch Here – Youtube

Originally Released In March 2017

Directed By: Wiki

Shot By: Jonah Schwartz

Edited By: Ryosuke Tanzawa

Produced By: Matt Lubanksy

Track produced By: Mack

STREAMING // (Album) Kahlil Blu – “STILL LONELY”

Listen Here – BandCamp

Special Thanks: Saniyah, Cam, Zeroh, Cauncey, Brian, Felix, Caleb Tomin

Produced By: Kahlil Blu

“VICTORY” Produced Byu: Caleb

Trumpet By: Tomin

Track List: STILL LONELY, CALL 911, OPAL AIRLINES, WW3, UPTOWN RAGER, TIME FLIES, BUTTERFLY EFX, UZI SHRUG, HELLO, VICTORY

STREAMING // (Album) Sunrot – “Dialectical”

Listen Here – BandCamp

Featuring: Julian Xeer

Recorded + Mixed By: Scot Moriarty

Layout + Design By: Christopher Eustaquio

Lyrics By: Lex (All Words On “Skull Temple” By: Julian Xeer)

Art + Photography By: TJ Olas, Lex, Rob Gonzalez, + Jesse Draxler Special

Thanks: Ross Bradley, Fred Pruden, + all the homies.

Track List: Birthed, Molt (This Feels Like Death), Skull Temple

SUNDAY SAMPLER // (Playlist) “12/20/2020”

Listen Here – Spotify

“A playlist of tracks that were featured on MattsMusicMine.com from the week of December 14th – 20th. From Reviews to Streams, never miss a track with these playlists that are uploaded every single Sunday till I drop dead.”

Featuring: Jeezy, Yo Gotti, Bankroll Fresh, Yellow Days, Escante, TRiPPJONES, SpaceGhostPurrp, Loko Los, Lucki, Nails, Keziah Zionna, D Double E, Skepta, Bill Waves, La Femme, Deafheaven, Akhlys, Da$H, Sainte Marie Des Loups, Rigz, Futurewave

Track List: Where It At, All There, Love Is Everywhere, Grande Criminales, Tear Drop Pt. 2, Widebody, Suffering Soul, Depths, Trippn’n, Don, 1000 Miles Away, Cool Colorado, Baby Blue, Somniloquy, Ephialtes, Mr. Frosty, Funérailles De Feu, Bodies Behind Mojoes

STREAMING // (Album) White Stains – “Make Me Sick”

Listen Here – BandCamp

Mixed + Mastered By: Will Killingsworth

Track List: Strangle You, Make Them Pay, Voyeur, Quarantine, Hated In H.S., Parasite, Dead Alive, Stomp On Me, Torture Chamber, Rotten & Screwed