Listen/Watch Here – Youtube
Produced By: Kenny Beats + Lido
Director: child.
Producer: Nancy Yalley
In-House Producer: Rhea Shannon
Styled By: Stephanie Lee, Mazhane & Paris Cole
DP: Jon Chou
Gaffer: Joey Luu
Key Grip: Kevin Ramirez
Production Designer: Jhana Parits
Guest Starring: Fin, Phoelix, Groove, JeffOnTheBoards, Nosidam, & Josh.
Listen/Watch Here – Youtube
Directed By: WOLF HALEY
DP: LUIS PANCH PEREZ
Produced By: TARA RAZAVI / HAPPY PLACE
An indirect way to approach rap and hip-hop comes the experimental but lyric heavy storyteller clipping. that enacts under immense atmospheric pressure and paranoia. Through their newest release There Existed An Addiction To Blood, clipping. draws direct inspiration from the 80’s horror themes that became iconic. Under the guise of John Carpenter especially, the hour-long journey is more based on agitated and frightened rhymes that paint red over the walls.
In this 15-track haunted house, there is not much in the case of straight-forward rhyming and music here. Instead, opting for a complete 180-degree turn, clipping. takes the listener through seven stages of hell beginning initially with limbo on “Nothing Is Safe.” This is the first introduction that clamors along with this single piano key in repetition until the 808s and vocals from Daveed Diggs conflicts on production from William Hutson and Jonathan Snipes.
As the circles continue, heresy seems to surround There Existed An Addiction To Blood which is illustrated perfectly in the track “Haunting (Interlude).” There is a woman’s voice that explains, “So who was really trying to kill me? Not my friend, but Satan. Why, I didn’t know.” It was one of the first times that a record had actually contained something so isolated and utterly shocking that the use actually throws the listener into this brick wall of hellish intent. The following track, “La Mala Ordina” is a creeping thriller that features ElCamino, Benny The Butcher, and The Rita who works as this featurette hydra team of knives and guns.
They all trade verses that are more sadistic as they continue on, from Diggs then jumping into ElCamino with a final shift to Benny The Butcher, this layer of harsh noise is then overlaid and entirely erupts the track in flames. This wall of sound hits like an aluminum bat to the cranium and continues for nearly two-minutes as the track falls into nothingness. There is not much here on There Existed An Addiction To Blood as a club-song or party hit, but clipping. never was there. Every track continues as if it was trying to push the listener farther and farther away from the original light that is cherished so much. They become more sadistic with each crunch and pulverization of bone.
This record is not made for the casual rap fan or even for a person who studies lyrics, but is instead for those who enjoy the sound of Halloween before falling asleep. For hearing the chains of some unknown presence that shake behind as you are unable to move, too slow to run, but still conscious enough to know fear. clipping. cares less if you survive the night or do not, they seem to love adding more bodies up to the pile that continues to burn into a morning that never truly arrives.
Listen/Watch Here – Youtube
Directed by: donSmith
Assistant Director: Bknott
Director of Photography: donSMITH
Executive Producers: Bknott & donSMITH
Producer: Papa Gansley
Production Design: donSMITH, Papa Gansley
Editor: donSMITH
Colorist: donSMITH
Wardrobe Coordinator: Moco
HMU: Moco
Gaffer: Ethan Felizzari, Papa Gansley
Music Producer: Desmond Niboh
Cast Bknott’s Wife: Moco
Extras: Keema Patra, Stan Lee, Malc g, Bryant Wiggins, Michael Khoda, Marc, Da Chef, Nemo Beats, Ilovetheinternet (Marlone)
Listen Here – Soundcloud
When groups break apart and the members separate, often is a disjointed road of records that spawn up but can never capture the same energy that the original group had. Wu-Tang Clan was a different story, most of their records that popped up after members had gone in solo directions were still considered success in both numbers and sound. Raekwon bounces into the frame off the backboard and picks up his own rebounds with Only Built 4 Cuban Linx… where Wu-Tang makes appearances, but the real W’s come from Raekwon’s ill lyricism and relentless performances.
After the first skit “Striving for Perfection,” Raekwon takes a stroll down memory lane with some of the strongest openings to a record. Hearing those piano jumps on “Knuckleheadz,” or the strings of a macabre opera on “Knowledge God,” Only Built 4 Cuban Linx… is a standout one-two punch for 18-total tracks. “Yo, why’s my niggas always yelling that broke shit? Let’s get money son, now you wanna smoke shit. Chill God, yo the son don’t chill Allah. What’s today’s mathematics son, Knowledge God,” explains Raekwon over this memorizing percussive stomp. Known for his expert rhymes and ability to smirk after every punchline, he continues with Ghostface Killah on “Criminology,” an explosive track for the record.
With a sample from Scarface that sets the money-making tone, Ghostface Killah opens the pits with a verse that sticks to the mind like a pure Columbian line. “The 9th chamber, leave you trapped inside my hallway, you try to flee but you got smoked up by the doorway…While I’ll be trapped by sounds, locked behind loops. Throwing niggas off airplanes cause cash rules everything around me black, as you can see. Swallow this murder one verse like God Degree,” he explains in this animalistic fashion. Ghostface and Raekwon are both iconic members in rap’s history, and they prove why with this trade back and forth between verses on “Criminology.”
Almost at every single turn there is a rather recognizable sound that comes from Only Built 4 Cuban Linx… even at times, without trying to draw attention. Tracks that reach the middle point like “Ice Water” hold these instrumentals that shatter spines and create a deeper dive into the grit of New York hip-hop with each boom-bap snap. Even on the records low points, there is something to be learned from and repurposed into modern style of musical form.
Only Built 4 Cuban Linx… is just one of those records to throw on and spend the entire time focusing on it. The record demands the listener’s attention as a study piece rather than a casual listen. The intricate rhymes and instrumentation begs to be heard and has this respectable factor for being a technical debut record that slices through thin air and teams up one of the most influential sounds of a generation.
Listen/Watch Here – Youtube
Produced By: pH
Graphics + Editor: Sifa https://sifa.software
Shot By: Andy Frenchtoast + William Guzmon
Hair + Makeup: Keiko Canada
Listen/Watch Here – Youtube
Director: Devlin Claro-Resetar
Production Design: Aniza Iniguez
Cinematography: Godfred Ceasar Sedano
Listen Here – Soundcloud/Spotify/Amazon/iTunes
Producers: 16yrold, Brandon Finessin, BrentRambo, Callari, Condo, DJ Eway, Dstro, StoopidXool