I mean at this point, why wouldn’t anime and chainsaws enter the stratosphere of grindcore and being one of the strongest releases of the year. Yandere Chainsaw Regurgitation Factory is explosive on Out For Blood, their fifth project of the year.
Surprisingly intricate for the subject matter, Yandere Chainsaw Regurgitation Factory on the sides of production is intense and tension-building machines. With an undeniable strength built into their instrumentation, Yandere Chainsaw Regurgitation Factory is fanatical behind the introductory track “Walls Of Flesh.”
Where breakdowns and blast beats sculpt the foundation for Out For Blood, the kawaii fashion is quickly overshadowed by harrowing shouts and growls combined with ugly beatings. The instrumentation on Out For Blood is some of the most robust and illustrative of grindcore to be found buried beneath Ahegao’s.
Andrew Gonzales who is the sole mastermind behind Yandere Chainsaw Regurgitation Factory uses sampling on the track “Otakultist” where Japanese vocalization can be heard over ripping sonic prowess. Nearly impossible to decipher at the rate that Yandere Chainsaw Regurgitation Factory plays, the harsh and guttural snarls are lit matches to the kerosene factory.
Later pieces like “Deathstruction” have a feature from Tom Draper who is the lead vocalist from Exhale The Plague. The guitars have this chugging nature to them that resembles train tracks to march along to. For something that appears to be so cute, Yandere Chainsaw Regurgitation Factory incites violence in a perfect storm of chaos.
When the cymbals continue to collide and the guitars rip through the audience, there are moments on Out For Blood where a reprieve is necessary. Instead, no forgiveness is granted and punishment subsides over and over again.
The final track of the seven-track EP follows suit as “An Angel By The Neck” which collides through the crowd as an atom bomb. Walls collapse and Yandere Chainsaw Regurgitation Factory becomes the last standing factor in the audience’s way. In one of the longest tracks of the EP, Out For Blood takes “An Angel By The Neck” as the swan song of the ugliest proportions.
Not much in space for areas of recovery, instead “An Angel By The Neck” wants to bleed the audience slowly and almost for sport. The breakdown near the track’s midpoint is covered in grime and leaks to the smell of sulfur and iron. When finally dying out, the sound rages out into an undeniable end.
Seven tracks over less than 20 minutes have never sounded so incredibly ugly but in a complimentary way. Yandere Chainsaw Regurgitation Factory is not only hard to pronounce but is hard to track as the instrumentation and production etches itself into the skull far after Out For Blood stops musically.