Posted on January 15, 2020 by Matt's Music Mine
Take Me To Your Leader focuses more on the features and storytelling through sampling than solidified DOOM verses. From the opening piece “Fazers” that holds one of his strongest displays of instrumentation and rhyme skills, Take Me To Your Leader is a love letter to the Saturday morning monster movies where rubber suits and cardboard buildings were the destructive conduits. DOOM explains over these grand string ensembles and immaculate horns, “All hail the king, give him three cheers fam. Like ‘hip, hip, hooray” do his thing for the little kings like Sling Blade. To the grave put in work like a slave, on how to flip scripts on the dipstick brigade.” It is a collection of his Monster Island Czars moments where no one can ever really escape from Monsta Island’s clutches.
The way that the exposition is explained to the audience through these samples and nods to sci-fi creates one of the strongest releases under DOOM’s belt. He moves to incorporate entirely instrumental tracks like “Monster Zero” or “One Smart Nigger” that rely heavily on abrasive sections of B-movies and these progressive instrumentals to analyze this otherworldly tale. When the rhyming is reintroduced between either DOOM or some of the features that come from Jet-Jaguar or better known as MF Grimm and a feature from Mr. Fantastik, the bars here balance somewhere between modern-day New York City and a future dystopian town like Tokyo in the year 20XX.
As time marches on, there are warnings of destruction throughout Take Me To Your Leader and anyone who is able to find joy in the Toho Films are able to see a glimmering beacon of hope within the record. MF DOOM can not only capture the audience through the use of different characters to describe a movement but does it in an always adaptive way. It is difficult to find exactly what works on Take Me To Your Leader as an isolated component because the entire record plays through like this monster battle of red and gold explosions that shake the 13” television sets that can barely register any color.
King Geedorah is a vintage ride on the back of a conquering beast. Whether from the iron mask or the iron horse, DOOM is one of the most important figures to highlight through hip-hop and music history as the villain who lurks in the shadows but proves he is just as skilled in building as he is with destruction.
Category: UncategorizedTags: Anti-Matter, Biolante, Classic Day, DOOM, E. Mason, Fastlane, Fazers, Gigan, Hassan Chop, I Wonder, ID 4 Winds, Jet-Jaguar, King Geedorah, King Geedorah Anti-Matter, King Geedorah Biolante, King Geedorah E. Mason, King Geedorah Fastlane, King Geedorah Fazers, King Geedorah Gigan, King Geedorah Hassan Chop, King Geedorah I Wonder, King Geedorah ID 4 Winds, King Geedorah Jet-Jaguar, King Geedorah King Geedorah, King Geedorah Krazy World, King Geedorah Lil Sci, King Geedorah Lockjaw, King Geedorah Monster Zero, King Geedorah Mr Fantastik, King Geedorah Next Levels, King Geedorah No Snakes Alive, King Geedorah One Smart Nigger, King Geedorah Rodan, King Geedorah Stahhr, King Geedorah Take Me To Your Leader, King Geedorah The Final Hour, King Geedorah The Fine Print, King Geedorah Trunks, Krazy World, Lil SCi, Lockjaw, Matt's Music, Matt's Music Mine, Matthew Miramontes, Matthew Ryan Miramontes, MF DOOM, Monster Zero, Mr. Fantastik, Next Levels, No Snakes Alive, One Smart Nigger, Rodan, Stahhr, Take Me To Your Leader, The Final Hour, The Fine Print, Trunks
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