“Mr. Self Destruct” which acts as more of an auto-biographical piece of a speaker that is overpowered by the social constructs that attach throughout The Downward Spiral. Where the visuals are lacking, Nine Inch Nails describes through immense detail that dictates and validates. “I am the voice inside your head, I am the lover in your bed. I am the sex that you provide, I am the hate you try to hide” describes Trent Reznor while the backing vocals that are layered to showcase a chorus in a sense, “And I control you.” With the overarching arms that outreach and stand over the main character in Reznor’s twisted stories, Reznor is the main orchestrator of the vocals and instruments present on The Downward Spiral.
His contributions are unmatched as he was the primary producer, but he did not work alone. Artists like Mark “Flood” Ellis, Chris Vrenna, Adrian Belew, Danny Lohner, and even Charlie Clouser worked hand-in-hand with Reznor to develop and craft the
The Downward Spiral can contort well within itself however and shows a brighter side to the creative performance. From spawning some of the genre-defining sounds of industrial rock to essentially still being a relevant masterpiece of the modern day. Nine Inch Nails was able to strike a gold mine with The Downward Spiral and the record never conformed or felt forced in any way. The record separated itself from society and felt more as a caged animal that broke out and lashed against its captives. It was unforgiving, unpredictable, and most importantly, dangerous in a mainstream environment.