Listen/Watch Here – Youtube
Featuring: Mac DeMarco
Cast: Fletcher Shears, Wyatt Shears and Mac DeMarco
Directed By: Nadia Lee Cohen and Charlie Denis
Executive Producers: Malcolm Duncan and Fabien Colas
Produced By: Virgin Soil
Cinematography By: Marz Miller
Production Design By: Brittany Porter
Stylist: Chloe and Chennelle Delgadillo
SFX Makeup By: Malina Stearns
Edited By: Charlie Denis
Production Coordinator: Richard Knickerbocker
1st AD: Matt Ross
2nd AD: Amanda Boiselle
1st AC: Sergey Nikitenko
2nd AC: Bobby Pavlosky
Gaffer: Cole Pisano
Key Grip: Danny Roy
Best Boy Electric: Gyasi Howard
Best Boy Grip: Danny Mayugba
Grip: Tony All
Set Dresser: Hensel Martinen
Set Dresser: TJ Hamouzas
Make Up: Lilly Keys
Hair: Jake Gallagher
Make Up Asst: Kasha Lassien
PA: Callum King
Masterfully crafting two cooks into one kitchen is a near impossible task, the daunting and experimental leadership that the two orchestrate makes creating a perfect balance nearly impossible. Here on In Session with Albert King and Stevie Ray Vaughan, nearly every track displays some sense of blues leadership that somehow coincides within the masterful playing of both Vaughan and King.
Where In Session shines the brightest is in the improvisation methods from the two samurais that essentially trade blows throughout the record. Albert King who is best known for his trailblazing ability where his focus on being intense and eye-catching was more important than being technical. Vaughan follows a similar fashion who ignited the blues world when he burst onto the scene as a revivalist of the genre. Nearly half King’s age, Vaughan was able to introduce a fresh face that transpires into the In Session recordings.
With the opening track, “Call It Stormy Monday” where King and Vaughan work together to trade attacks in this gentle game of sparring, every guitar lick, riff, and groove is lifted by a band of alternative artists who can contribute as more than just simply the background. The band consists of Tony Llorens on piano and organ, Gus Thornton on bass, and finally Michael Llorens on the percussion; each piece acts as a treasure chest. Even through the multiple versions of the record that stretch on the In Session recordings, each style is necessary but deliberate.
The performances on In Session instantly create a flashback of this southern gentlemen attire that sits alone at the bar, quiet and reserve but eager to be the life of a room. King’s playstyle conflicts slightly with Vaughan’s as the two play similarly but using King’s vocal approach mixed with his often frantic styling that requires some foundational methods. The most impressive moments of In Session come from those times where both guitarists can be the spotlight and then play the supporting role. It eliminates the tension and is more of a straight to the jam grouping of pieces where sound is more important than flash.
Each piece on the record requires the listener to strap in and get comfortable as most of the tracks are drawn-out and become continually moving keys. Whether using King or Vaughan as the driving force behind the record, In Session becomes an almost unobtainable standard for what blues records consist of. The need for intuition and dedication behind a rock solid band where chemistry is the most formidable combatant.
Listen/Watch Here – Youtube

Featuring: Kari Faux
Director: Contact
DP, Colorist, and Editor: Cam Robert
Producer: David Wept
Line Producer, Grip: Galieo Mondol
AC: Chris Null
Steadicam: Alex Flannery
A-Cam OP/Steadicam Operator: Chris Smith
Gaffer: Ryan Bergeron
PA: Adrian Cobb
PA: Tanima Mehrotra
BTS Footage: Josh Flores
Dice Roller #1: Rick Podell
Dice Roller #2: Deron Cash
Music Produced By: daedaePIVOT
Mixed and Mastered By: Papi Beatz
Listen Here – BandCamp
Produced, Written, and Recorded By: Nickelus F
Mastered By: Michael Millions
Featuring: Young Flexico, Michael Millions
Listen/Watch Here – Youtube
Listen/Watch Here – Youtube
Produced By: dj blackpower & sporting life
Shot By: dey visuals
Color Graded By: Andy Frenchtoast
Listen/Watch Here – Youtube

Starring: Alex Essoe, Ladell Preston, Tristan Modena, Phillip Dang, Cade Duane Hahn-Haus, Andrew Bishay, DJ Walker, Alvin Hsing, Fiona Rena
Directed By: Ariel Vida
Executive Produced By: Franki Chan & Jesus Antonio Rivera
Written By: Jesus Antonio Rivera & Franki Chan
Produced By: Satien Mehta
Associate Produced By: Shaun Koplow
Director of Photography By: Will Sampson
Production Designed By: Kati Simon
Edited By: Thom Newell
As the final stops appear in Lil Ugly Mane’s saga, the three-volume mix of what becomes this conglomerate of essentially a musical grenade. A continuous explosion that rocks subwoofers and becomes an independent mess that floats through peaks and valleys before finally falling apart in this looming experience. Third Side Of Tape is the last installment of the subsonic art piece that hits with a low shoulder but picks up the pieces afterward.
While Richmond, Virginia lets out a cry into the sunken night skies, Lil Ugly Mane takes the listener through a swamp of music. The uplifting moments on Third Side Of Tape come from the strange and eclectic ability from Lil Ugly Mane. The artist known for his morose production and ability to rhyme through leaned-up bars becomes a conductor of this misshapen, almost Frankenstein-esque monster of an orchestra. Playing everything from noise sets to dance heavy 180-bpm bass bumps, Lil Ugly Mane quickly strikes and then retreats back to the darkness.
He is this otherworldly force that explains on his BandCamp page, “The third side. final side. in no particular order. alot of it might be older than you and not as cool as you.” As one of the strongest forces in underground internet rap, Lil Ugly Mane breaks his movements up as six total tracks, each ranging to around the 20-minute mark on average. So in total comes over two hours of music that at often times is a welcoming surprise when the noise tracks flood into a grasping performance. Third Side Of Tape is easily the longest release coming from Lil Ugly Mane at this time in 2015 and graces these almost impossible feats within it.
This record is for strange, the tossed away, and the memories of over 15-years doing one single thing. As Lil Ugly Mane continues to create in one of the internet’s biggest music mysteries, he has now begun to let the light break through slightly and show a more physical, almost personal appearance. He still shakes hands with a long arm and never appears to be too close to the public eye, but he definitely shows signs of creativity and ingenuity on Third Side Of Tape.
Third Side Of Tape is difficult to understand and comprehend in a single listen. From the movements of throwing up rifles or shaking production, whether robbing or creating, Lil Ugly Mane delivers for every mood. Existential dread or the feeling of invincibility, the Three Tape Saga will forever invoke emotional attachment far beyond time can reach. With samples and production to match the insanity that goes through Lil Ugly Mane’s mind, the extension of his musical ability is only shown through a fraction of the final part to his always extending methods of both destruction and creation.
Listen Here – Soundcloud
Listen Here – Soundcloud