Listen Here – BandCamp/Soundcloud/Spotify/iTunes
Producers: A Lau, Tony Seltzer
Featuring: Morgue!, DirtBagMarley
Listen/Watch Here – Youtube
Director: Nathalie Canguilhem
DP: Adrien Bertolle
Executive Producer: Sarah Lee
Line Producer: Miranda Khan
Stylist: Edem Dossou
Production Designer: Taylor Horne
VFX + Flame: Anthony Lestremau
Song Produced By: Stelios
Written By: Lolo Zouaï + Stelios Phili
Mixed By: Fab Dupont
Mastered By: Joe LaPorta
Listen/Watch Here – Youtube
Listen/Watch Here – Youtube
Produced By: KellBender
Shot By: Zai Visuals + MastermindRichy
Edited By: The Digggers
Illicit from the name alone, Ho99o9 (Horror) is a New Jersey wrecking crew that dives deeper into this saga of strange with their newest record Cyber Warfare [error]. In a similar style to their 2018 joint Cyber Cop [Unauthorized MP3.], the cyber initiative takes over through a brass knuckle handshake that obliterates through blitzing instrumentalization and lugubrious lyrical ability.
With anyone who has followed Ho99o9 since their debut record United States Of Horror or even their earliest projects, the audience is always under attack. They are able to form an assault on the listener that cares less for the safety and more for replacing the danger in music again. The first track “Master of Pain (Error)” is a Castlevania-esque build up where fog rolls out of the shadows to terrorize the onlooker. Paralyzed by fear, the listener has no choice but to stare as a Vincent Price styled narrator describes, “Our story is about a man with nobler ambitions, he likes to kill human pests… and he does it in front of an audience.” As those ghastly laughs lead the curtain pull into a firebomb of whirling percussion and slicing strings, Ho99o9 is the psycho-step child of punk leaping off the deep end.
The two-person team-up of OGM and Eaddy work to challenge, but also lift each other in this brotherhood of scissor-kicking proportions. As the instrumentals seem to burn as raging fires behind them, both vocalists of Ho99o9 match that intensity through each track with no faltering. The instrumentation is vital to highlight here on Cyber Warfare [error] though as the percussion is a standout that crunches through foundational bone to strike the listener continuously.

Shown and highlighted incredibly well on “Shadowrun (Error)” where the drums are the main instrument in this punk rock conquest where no mercy is shown as the mics reach red levels to combat in stress. “Shadowrun (Error)” quickly showed that Ho99o9 was capable of getting in, getting down, and getting out while making a lasting impact through a near two-and-a-half-minute long track. As Cyber Warfare [error] is only seven-tracks, reaching just over 21-minutes, leaving a substantial length that leaves the record flowing well and begging to be replayed.
Through its course, the feature from JPEGMAFIA hits on the track “Simon Phoenix,” but is truthfully a well needed break after the onslaught of aggression between “Shadowrun (Error),” “Yellow Tape (Error),” and “WiFi Punx (Error)” where Ho99o9 acts more animal than human. Somehow tying together the idea that the internet is not the world’s friend, they illustrate as a description of Cyber Warfare [error], “Don’t use every WiFi network you see free, If I stand tall with my plastic rifle in the mirror, I can be anything I wanna… My phone / computer watches me when I sleep / deactivate.”
Before they crush skulls with their bare hands, Ho99o9 takes a final look at the burning, but sprawling city before them. Their style is brash but effective and innovative in a similar vein. Each release brings the audience closer and closer to internet immolation, just as Cyber Warfare [error] should be.
Listen/Watch Here – Youtube
Written and Produced By: Wyatt Shears
Directed By: Nesto
Director of Photography: Bill Meese
Steadicam: James Sielaff
Cameo By: Ashley Clue
Grips: Mark Phillips & Andy Schwartz
Mastered By: Sean Campos
Mixed By: Ashley Clue
Listen Here – Soundcloud/Spotify/Amazon/iTunes
In the famous land of 808s in Memphis, Tennessee, one gang of outlaws ruled influential sound for a generation of musicians and artists. Project Pat came out slightly after the Three 6 Mafia boom in 1999 where his debut record, Ghetty Green could become outrageous sampler food 20 years after its first initial release. Working to adapt his own stance off the springboard that was Three 6 Mafia, Project Pat quickly sculpts his own storyboard that plays off the background of representation through reverb.
When the first track “North Memphis” hits the scene, the joyride comes through the loose keys that shine along like gold on a chain. Rather than wearing the chain, however, Project Pat snatches it and decides to ride along with juicy rhymes that pack a bite. He holds a standard that works in to be the foundational rhyming style of the south with some gangster flair, describing simply, “Mane it’s Project Pattah, player from the sizzouth. Always pack the gat-ahh, gold teeth in my mizzouth.” He moves into a proud shoulder shrug that continues to taunt the lyrics, “North Memphis” as part of the production behind his lyrics almost as a battle cry that never reaches a shriek. Before balancing the idea of moving a transitional force through the MPC to microphone descriptions of his hometown, Project Pat takes his show on the road into the following track “Represent It.”
Every piece of Ghetty Green shows the immense productivity and grand nature that Memphis breeds. Project Pat moves happily through the crowd, illustrating his ability to crown himself a king on Ghetty Green. “gotta get the cream, get the cheese, that’s by any means. If ya real then throw ya set, let me see ya sign,” explains Project Pat behind these horns sections and prolific drum rolls that clap along to features from Noreaga, DJ Paul, and Juicy J.
Truthfully as he moves into the midpoint of the record with track nine of 20 on Ghetty Green, Project Pat claps with a pistol under midnight shade through track “Rinky Dink/Whatever Ho” which features Hypnotize Camp Posse alongside Juicy J, DJ Paul, Lord Infamous, Crunchy Black, MC Mack, T-Rock, and finally Gangsta Boo. The verse chord structure leads to Project Pat covering as the final verse on the five-and-a-half-minute track, illustrating “A lot of gunfire, bustin’ on you hoes to get my point across. Ridin’ in your hood and let the mothafuckin’ bullets toss.”
The piano and percussion combination is enough to make the ears bleed and cut across speakers through this cadence that works so well under Project Pat’s wing, perfectly segueing his strength in performance. It may seem overbearing at times, but the intense amount of feature verses only better highlights the team effort that came from the Memphis area. Between the sound, the style, and the burning bodies that lay stacked under the boots of Project Pat, nearly every star aligns for a debut record to punch through the club in a sucker-slug fest.
Listen/Watch Here – Youtube
Directed By: Andrew Mcglennon
Music & Lyrics By: JPEGMAFIA
DP: Matthew Thompson
Producers: Zack Stauffer & Brendan Garrett
Styled By: Alec Marchant