STREAMING // (Album) Ljiggy – “Volume 305”

Listen Here – Soundcloud/Spotify/iTunes

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STREAMING // (Album) Yung Lean – “Starz”

Listen Here – Youtube/Spotify/iTunes

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Featuring: Ariel Pink

Track List: My Agenda, Yayo, Boylife In EU, Violence, Outta My Head, Dance In The Dark, Acid At 7/11, Starz, Hellraiser, Butterfly Paralyzed, Dogboy, Iceheart, Pikachu,  Low,  Sunset Sunrise, Put Me In A Spell

STREAMING // (Video) Quelle Chris X Chris Keys – “Horizon”

Listen/Watch Here – Youtube

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Vocals By: Quelle Chris

Produced By: Chris Keys

Directed + Edited By: Dominik Galleya + Clemens Niel

DOP & Colors: Clemens Niel

Misc. Day – Suica Card

dj_mitsu_the_beats_turn_table_01Hailing from Sendai, Japan, DJ Mitsu The Beats strikes a boom-bap progressive style that pays homage to the heroes of production but also adopts to become an identity within itself. As the charismatic sounds begin to flood the record, TURN TABLE is a piece that lies as a hidden gem amongst the grandeur of choice.

Not only are the initial moments of TURN TABLE graceful and full of vitality, but when the smooth and warm strings are introduced played by Otoji+Ray does the emotion come full circle. The First Sight” sets a tone for DJ Mitsu The Beats and establishes a unique stance on how to craft and sculpt from an MPC. Rather than creating a 16-set verse, hook, then verse structure, DJ Mitsu The Beats use his instrumentation as if it was a live jazz set and is able to translate these freeform moments into harnessed sound. Just like the JR lines of Tokyo, DJ Mitsu The Beats has a familiar, but expansive sound that can be found in many divergent lines.

With TURN TABLE, tracks like “Pristine” or “How The Day Goes” has a similar affectionate pull, but the way that the subtle differences change the scenery and allow DJ Mitsu The Beats to paint through sound is vibrant. Even on an upbeat track like “Saltation” that could easily be played in a nightclub or on a morning work commute, the movement through the consistent one-two bass line and the hand clap snares is infectious. Then adding in the layering and depth of the strings on top of the already packed instrumental creates a complex, but never overbearing work of noise.

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Suddenly, as the beat transitions into this half-time shuffle pattern at the midpoint, “Pristine” peels back the original walls and constructs upon something new. Warping soundscapes, the rattling hi-hats, and the seemingly endless onslaught of new rhythms through the strings creates a forest of potential where DJ Mitsu The Beats is a lumberjack that can thrive in the woods.

One of the last moments on TURN TABLE elicits sentiment on new experiences where the 32-minute project scrapes together the doors and packs up shop. It is a brightly lit instrumental piece that carries “A Nostalgic Note” as a burning torch that highlights some of the beauty that DJ Mitsu The Beats has been able to display through proficient adoration.

From oceans away or next door, the boom-bap style has influenced millions around the world and been able to bounce untranslatable work into the forefront of the ears. The metaphorical sunshine that washes over the listener in the final hour tightly wraps its arms and is more of a loving friend than any faceless piece of production.

Listen To TURN TABLE Here!!!  – BandCamp/Spotify/iTunes

STREAMING // (Album) Vangard – “VanDead: Melt Into A Dream”

Listen Here – Soundcloud

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Track List: Dominate The Rap, Stella DOOM (Melt Into A Dream), Dark Stars Anonymous, Space89, No Mercy, Shame (When Things Go Wrong), Shadowboxing The Apocalypse

New Music – Sharks In The Water

drain_california_cursed_01Where the waters and sands meet of thrash metal and a running leg drop, DRAIN would make Hulk Hogan proud based on their full sprint into the murky, shark-infested waters where the Santa Cruz natives thrive. From the initial moments, California Cursed is a shout-fest surrounded by hard-body instrumentation and a destructive undertone. It is only until further inspection that the playstyle and lyrics coincide within this dystopian future where the seas flood the Earth, shattering all life under the waves.

DRAIN is the love child of blitzing riffs with a sense of gleaming, almost shiny production that actually holds some connection to the early roots of mosh-pit inducing thrash and the complexity of hardcore. With Sam Ciaramitaro on the vocals, Cody Chavez covers guitars with Tim Flegal on the percussion. Bringing along the rhythm section is Justin Rhode on the bass and truthfully, holds a bigger part than most bass acts through records. Often times, Rhode sets this tone where the rest of DRAIN is almost commanded behind. When the other instruments become the forefront of the focus, the spotlight burns around these rapid, but well-placed breakdowns and runs that begin on “Feel The Pressure.”

California Cursed is at heart, a shortened record of only 22 minutes spanning over 10 tracks. By the time the listener can hunker down and feel the footing beneath, the record turns over into a new leaf. This is not to say that California Cursed is not without excitement however, nearly 90% of the record is consistently on fire and always in movement. From the first seconds that explode after “Feel The Pressure” holds the audience underwater until the bubbles stop or the blast beats of “Sick One” that are more sadistic and built by barbed wire than any beaches.

drain_california_cursed_02“Sick One” is actually an immaculate stepping stone for DRAIN as while the track is only 58 seconds, the shouts and howls belong closer to an 80’s hair metal track than any deeper growls built for intimidation. It is fascinating how the vocals for DRAIN were one of the last things to grow and really become cemented as a pivotal piece of the record, but now the vocals would not match with any other sound. They exist in this symbiotic nature where one needs the other to survive. Just as DRAIN needs paralyzing production and instrumentation, so does the band need a unique stance on vocals.

While DRAIN does not do anything immensely out of the ordinary, California Cursed is a solid quick dive into the saltwater where instead of one single large predator, the audience is surrounded at all times. DRAIN makes the listener fear what lurks beneath and before they bounce on, they etch their names into 831’s territory.

Listen To California Cursed Here!!! – BandCamp/Spotify/Amazon/iTunes

STREAMING // (Album) Saani Mac – “Eye Don’t Know Why E.P.”

Listen Here – BandCamp

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Original Music + Video By: Jaybee Jackson

Recorded By: Justin Cicco

Track List: Eye Don’t Know Why, Eye Don’t Know Why (Instrumental), Eye Don’t Know Why (Acapella), Eye Don’t Know Why (Lt. Dan Remix), Eye Don’t Know Why (Diskinter Remix), Eye Don’t Know Why (BEN Remix), Eye Don’t Know Why (Finessin Wes Remix), Eye Don’t Know Why (LIVEFROMTHECITY Remix)

STREAMING // (Video) Headie One – “Rose Gold”

Listen/Watch Here – Youtube

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Video Directed By: Nathan James Tettey

DOP: Aaron Reid

Producers: Freddie Barass + Nkem Egbuchiri

Production Company: Untold Studios

Art Director: Natasha Guinness Taylor

Editor: Remi Aaron

Colourist: Aubrey Woodiwiss

Head of Music and Social: Annie Ayres