Listen Here – BandCamp
Produced By: Hunger Force Beats
Track List: STILL HERE, IS WHAT IT IS, WHO LAUGHING NOW, EXECUTE GOALS, FYTB
There are moments in a musician’s career where they hit a peak for both popularity and musical expertise in creating a defined sound. With Future, it seems that he has had nothing but peaks throughout his long-spanning onslaught. But it was with his 2015 release DS2 or Dirty Sprite 2 that combined his aggressive lyrical outbursts with refined production from primarily Metro Boomin and Southside as a three-man weave of trap nectar.
When DS2 hit the scene in 2015, Future had already established himself as a triple threat of lyrics, fashion, and showmanship that was an easy transition into the 13 track display of twisted wires and Ferragamo garments. Beginning with “Thought It Was A Drought” that takes the iconic line, “I just fucked your bitch in some Gucci flip flops,” that has been renditioned countless times after; a creature is born.
When he actually begins his verse, however, Future displays this animalistic nature behind his lyrics that describes, “Bitch I’mma chose the dirty over you, you know I ain’t scared to lose you. They don’t like it when you telling the truth, I’d rather be realer than you.” As he continues on, he illustrates, “Got these meds on me, I’mma do em. I take these pills and I’m having a thrill, taking prescriptions a hell of a feeling, as for a xanny, I never forgot it.”
As he segues into the personal favorite, “I Serve The Base” is the closest to aggravated assault through sound and the production here is a frantic but chorus of trap-orchestrated ability where Future acts as a preacher to the crowd. He has this harsh synth that warps and rumbles behind him while distorted screams and shouts rise almost as if it was this rallied parade where percussion and the low-tuned approach from Future collide.
He illustrates, “I play the games of the thrones with you, I can’t change, I was God-given. Tryna make a pop star and they made a monster, I’m posted with my niggas, let the champagne flow,” before jumping into his third verse where it etches like a purple stain. He describes, “They should’ve told you I was just a trap nigga, I’m in the white house shootin’ craps nigga…They should’ve told you I was just a trap nigga. They should’ve told you I was gonna lap niggas.” This form of liquid on the ears is therapeutic and provides this energy that is unmatched even today.
As soon as the track “Stick Talk” hits with the Kill Bill-esque sirens to provide on the start of each measure, Future, Metro Boomin, and Southside are able to open the audience up like a rack of ribs and get to work. The chorus that describes, “Took a shot of Henny I’ve been going brazy, brazy, they say my whole hood got it under investigation,” should be an injection of paranoia but his delivery and the instrumentation behind him only boosts the Tony Montana 10-foot stance.
Standing as a monument to the villain, Future on DS2 is as refreshing as he was five years ago. Even as he continues to drop projects today and works on relevancy in an adapting age, DS2 holds a special place on the pedestal for his discography.
Listen/Watch Here – Youtube
Directed By: Medhane + Printz Nelson Bandela
Animated By: Printz Nelson Bandela
Produced By: ohbliv
Listen/Watch Here – Youtube
Featuring: Stunna2Fly + Asco100k
Produced By: DJ Banger
Shot By: ForeignTaps
Listen Here – BandCamp
Track List: Symptoms Of Astral Exteriorization, Sage Of The Black Cocoon, Reaffirm Allegiance To The Devil, Black Cocoon, By The Limbs Of The Anti-Christ Temple, Under The Cloak Of Nothing
California outfit Trash Talk has been flirting with disaster their whole careers spanning a deeply rooted stance in hardcore punk rock that borders on the intensity of a kerosene factory and the unity of a book of matches. When teaming up with the hip-hop genius Kenny Beats, the two collectively are able to stir the dance floor again with mosh pits and broken bones.
With their Self-Titled 2008 release being the first introduction to the group, the stage has been littered with upside-down peace signs and Jay Howell illustrations painting the group as bloodthirsty anarchists that thrive in disobedience. The youth can connect around this central point and cause destruction, now mixing that original bonfire with the progressive understanding and production of Kenny Beats. It is the collision of two closely knit, but unexpected worlds.
Squalor is the quickest eight minutes and 23 seconds that one could experience in 2020. Fast, catchy, but somehow begging to be spawned again; Trash Talk is this loyal servant of sound that at a moment’s notice can crank hell. Opening with “Point No Point,” the 56-second track is reminiscent of the early days of Trash Talk where the approach was to get inside, break everything around, then set the building ablaze. They continue the theme of this, but can formally integrate some adaptability to the mix that forms as if it was a digestible piece of hardcore heaven.
The opening strikes of the guitar from Garrett Stevenson and David Gagliardi collides with the frantic guttural shouts of Lee Spielman. The bass handled by Spencer Pollard is amplified here and pushed to become some of the main instrumentation that gets a stage presence alongside the percussion. Moving from the 2016 Tangle EP into Squalor has similarities, but the addition of Kenny Beats surprisingly creates more of an interactable space than before. Not to say that the band shied away from getting in the audience’s face, but now it is more of an understood precipice.
Lyrically, while difficult to understand at most fronts, they come through with a clear message of movement especially on “Kicking & Screaming.” This piece is the longest of all the previous on Squalor and is a dynamite bundle carefully disguised under instrumentation. The group describes, “Kicking, screaming…. Fighting every feeling, you’ll be back for more. Kicking, screaming… fighting every feeling,” as shouts are placed periodically through growls and grunts. The animosity here not only boosts the emotional bounce, but Trash Talk etches their emblem into the skull as a symbol of resistance in these dire times.
Thankful through sound, Squalor is a disguising gut punch from a band that has been primarily dormant musically for several years. Working on clothing companies, traveling, and preparing for the burning, Trash Talk strangles the listener and this time, with the help of a hip hop heavyweight.
Listen Here – BandCamp
Recorded By: Cole Crutchfield + A.J. Ross
Mixed + Mastered By: Cody Davidson
Track List: Killing To See How It Feels, Everyday You’re Not Running I’m Getting Closer, Flesh Feeders
Listen Here – BandCamp
Featuring: Ada Rook, Devi McCallion, Malldate, Will Owen Bennett
Produced By: Backxwash, Fatherfake, SKIN, Will Owen Bennett
Creative Director: Merchant Vaporwave
Electric Guitar: Ada Rook + MallDate
Track List: God Has Nothing To Do With This Leave Him Out Of It, Black Magic, Spells, Black Sheep, Hell’s Interlude, Into The Void, Adolescence, Amen, Heaven’s Interlude, Redemption
Listen/Watch Here – Youtube
Featuring: A$AP Ferg, Wiki, + Your Old Droog
With: Christian Scott
Keys: Devonne Harris
Drums: Corey Fonville
Bass: Burniss Travis II
Guitar: Gabe Schnider
Producer: Patrick Shahabian
DP: Jose Melendez
Camera Op: Raffael Moses, Andrew Marulanda, + Michael Faller
Audio Engineer + Mix: Alessio Romano
Editor: Patrick Shahabian
Illustrations + Animations: Joey Pasko
Isolation is never a term that comes with the idea of pop music, but when dissecting the minor intricacies of Nico’s debut solo record, Chelsea Girl is a striking representation of grace in a three-season room. She is able to place frankly artful instrumentals that are as alluring and attractive as her vocals that come off as dramatic, but similar to a passerine.
Much of Chelsea Girl relies on Nico’s ability to frame sound underneath the electric guitars of Jackson Browne or the orchestral chords that create more for Dionysian emotions where beauty rules. The opening track, “The Fairest Of The Seasons” is a ripe introduction to some of the polarizing style of Nico. On one hand, she is a folk icon that was surrounded by the likes of The Velvet Underground and Andy Warhol but can also step away from the cult legends and make a way for herself. Where an artist like Lou Reed is a guttural vocalist that tells a different side of the gritty New York that surrounded the timeframe, Nico is a pearl made from the silt of sound.
Describing through these heart-wrenching lyrics, Nico illustrates “Now that it’s time, now that the hour hand has landed at the end. Now that it’s real, now that the dreams have given all they had to lend. I want to know do I stay or do I go, and maybe try another time.” She collects this verse as a personal apparition to herself, looming over her own shoulder to paint the final moments of regret. She ends the verse describing, “And do I really have a hand in my forgetting?,” as swells of violins and string ensembles encapsulate the audience and demand them to hear Nico as the center stage MC.
Later, tracks like “Winter Song” are more whimsical but only further the abstract stance that Nico takes with production that is tense and more present than ever. The rapid stabs of string runs or the flute collections are springs of “royal decay” as Nico illustrates through the lyrics. She begins, “The snow on your eyelids that curtsy with age is freezing the stares of tyranny’s wings. The bitter is hard and the warmth of your skin is diseased with familiar caresses.” She then continues to paint a snowbound sense of being trapped as time continues on. “Withdrawing from splendor and royal decay, among all the triumphs and jaded awards. The angry and blazing circus of sun blasphemes as the crown prince arises.”
While Chelsea Girl is not a record that fits every emotional state, the chamber folk record is a perfect still photograph of black and white art deco capturing where class is this epicenter of Nico’s sound. While strange at times and her voice can take multiple chances to click, after warming into the nestle of the banana tree, Nico is both a visually striking individual and also a seamstress who can weave conceptual finesse into nourishment for the mind.
Listen Here – BandCamp
Track List: New Affairs, Picture Me Throwed, Five Percent Tint, Exotic Vogues, Sunday Silk, SIC Intentions, I45 Southside, Ultra Sense, 123AM, Virtual Lust, Chrome Garden, Sonic Council
Listen/Watch Here – Youtube
Edited By: GetMezzy
Shot By: GetMezzy, OmgImWigs, HeavyRayn, m2Gh2, J_Blueeee, MaxDotBam, Christian Navarro