New Music – Solar Eclipse

The disassociation of body and spirit that follows with Naeem’s newest stargate of Startisha breaks ground in sound. Not a record that is easy to digest with just a single interval, Startisha best performs under the fine-tooth intricate combing where the atmosphere can be fully engaged with and reflective of one’s self.

Naeem is a relatively new discovery forming from the prominent cover art of obsidian skin on the silk sheets and striking red sun that burns into the memory. The eyes that conflict are as stunning as a pistol under the coat and holds the listener at full attention. When the music finally starts with “You And I,” Startisha is instantly an acidic platform where the plateau has no reachable end in sight. The mountain continues to climb as the vocals over the calming backing holds a spotlight and candle to the wind. All eyes are here on Naeem.

The beauty of their vocals pours over like a burst of ecstasy over the burning surface of Mars. Describing, “No we don’t have time for the little things, because life is full of important things. Life is full of necessary things. Life is full of big machines and there just ain’t room for the little things.” When the transition follows into Simulation,” the pieces of this smooth jigsaw becomes closer to hip-hop rather than spoken word. The sudden bombastic nature of the 808s that clash and form over still isolated backing instrumentation is frankly gorgeous and glittered with diamonds.

This beauty is the main staple of Naeem and the production on Startisha continues to illustrate and sculpt ideological representations of dance like on “Us.” The isolation of the first tracks is disputed and instead is opted to become a close-knit club framework that can bounce toward this overarching spacious grab. The muddied bass smacks are as if a present DJ was mixing the record before the listener, creating a new experience with each beat. The almost unpredictable format that Naeem follows is refreshing and continues to push approachability into new hands.

Then as “Right Here” begins to fade into the frame, Startisha becomes a more recognizable entity. While nearly the shortest track on the record, “Right Here” is graceful and full of vitality that glimmers brightly in a darkened and seemingly dull backing. The settings that Naeem can thrive under is conclusive enough to showcase this natural ability of expression beyond sound. Overtly divisive, Startisha is a moonlit journey that travels less by gaslight and more by star power.

When the music ends, however, Naeem forms a bond with the listener that is both capturing and free, making sure that the chains are broken before getting too attached to this rock. Startisha is a piece that lives through the atmosphere it can surround itself in and creates an omnipotent grip where the listener is always under its control.

Listen To Startisha Here!!! – BandCamp/Spotify/Amazon/iTunes

STREAMING // (Video) King Krule – “Comet Face”

Listen/Watch Here – Youtube

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Directed By: C.C. Wade

Written By: C.C. Wade + Jack Marshall

Production Design: Elena Isolini

Costume Design: Verity May Lane

Drone Operator: Jack Towell

Special FX: Zoe Marshall

Producer: Maddy Perkins

Executive Producer: Saskia Whinney

STREAMING // (Album) Lisha G – “High Minded”

Listen Here – Soundcloud/Spotify/iTunes

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Featuring: Savage Ken, Shebo, Doobie, CashJay

Produced By: Koal, BLVCK AMETHYST, Nutso ThugN, DarkSynth, PedroFlexin, YuneyLae, CashVVS, K30, 78 Glaciers, CheaperTherapy, Banbwoi

Track List: Wake UP, 1NDASAME, SLIDIN, WTKBD, Slime Season, Flash, Witxhkraft, Aktivated, Rokkstar, SQUEEZE

STREAMING // (Album) Master P – “No Limit Chronicles: The Lost Tape”

Listen Here – Spotify/iTunes

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Featuring: Maine Musik, Krazy, BlaqnMild, Romeo Miller, Moe Roy, Shootie Wild, Gangsta, TEC, Peewee Longway, Kirko Bangz, Magnolia Chop, Master P, Playbeezy, Decarlo

Track List: Intro, Need To Know, Real Ones, Make It Out, Still Remember, Believe, Aint Coming Down, Cursed From The Start, The Plug, Rari, Cook Up, Friends With Benefits, Tank Gang, Where Was You, Werk, Put That On My Life, Limitless, Say Her Name

Classic Day – Planet Of The Apes

sean_price_monkey_barz_01The echo of the low-tuned, almost villainous sample of “Sean P” that continues to replay even far after his debut record, Monkey Barz falls out of frame becomes almost an inside joke within the listener and the artist. Sean Price is an underground king, never achieving omnipotent success, Price was essential in combining a New York lyricist and the fascination of storytelling through an ill platform.

While he passed in 2015 at the age of 43, Price was able to use Monkey Barz as a leaping pad from his group Heltah Skeltah. With production coming from 9th Wonder, Agallah, and Khrysis, the grouping was still tucked in that deep-seated pocket but still creative enough to influence and grace audiences far beyond the Empire State. Opening with “Peep My Words,” Price is the primary narrator here and surprisingly, doesn’t recruit too many guest MC’s on the record. The majority of words spit here comes from Price who sculpts less of a clean-cut and more of a jungle approach to delivery.

The whimsical flutes and strings on “Peep My Words” comes from Kleph Dollaz who sets a concurrent theme for the record. Monkey Barz is a quick walkthrough New York, but in a jungle setting with skyscrapers replaced by giant trees where danger lurks at every second. The old dystopian ways might be missing today, but the concrete atmosphere is a playground for Price to swing through like Peter Parker. Catching ambition over tracks like “Onion Head” where the sample vocals create a pick-up game of mics and men. Describing, “Watch me punch up your face, dig in your pockets, leave you right where you stand. Got a… dime bitch that live in Japan. Black belt, suck dick, chop bricks with her hand. Arigato, Sean Price slick like El Gato…” He continues on to dragon kick through cinderblock as he illustrates, “Sean P the motherfucking all-time great. New York to NC nigga, the all-rhyme state.”

A chorus that forms in from Tek becomes this anthem stance where he shouts, “From coast to coast, he traveled the land. Left footprints In grains of sand, It’s… SSSean PEEEEE!” Essentially, Price is a superhero from the neighborhood on “Onion Head” and while it is one of the more catchy tracks, Monkey Barz is filled with gold-plated classics. sean_price_monkey_barz_02Later on the record, “I Love You (Bitch)” may seem like a comedic title, but the reality is that he describes his current lover while missing an ex. Orchestrated over simply glorious strings and classy instrumentation from Dub Z, the instrumentation is a shining example on Monkey Barz and continues to beg to be revisited.

Price describes, “Unconditional love, even if I ain’t with ya. Member I fucked up, you kicked me out of the house? Wait a minute, that was yesterday.” It is impossible not to laugh, especially when Price is able to finish the track by saying, “Fight all day, fuck all night. Ruck ain’t shit but Ruck all right. Love my kids but got no dough, and I love you bitch, I’m letting you know.”

While not his first experience with recording, Monkey Barz is the solo debut that seems to slip under the rug of modern rap. As clever as Wu-Tang and as catchy as Dipset, the reinstitution of Sean Price becomes a treasure nearly 15 years later.

Listen To Monkey Barz Here!!! – Spotify/Amazon/iTunes

STREAMING // (Video) Primitive Man – “Entity”

Listen/Watch Here – Youtube

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Featuring Zoei Huntsman + George Trujillo

Makeup + Practical FX: Rolando Rodriguez

Director Of Photography: Brandon Blair

Concept + Story By: Ethan McCarthy

Produced By: Relapse Records + Show & Tell Media

Directed By: Neil C. Barrett

STREAMING // (Video) Action Bronson – “Latin Grammys”

Listen/Watch Here – Youtube

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Produced By: Tommy Mas

Directed, Edited + Produced By: VIDEO CONNECTION

Camera: Arina Bleiman

Design: Fons Schiedon

Visual Effects: David Parker @ JANE STUDIOS

Sound Design: Joe Visciano

Executive Assistant: Melvin Honore

STREAMING // (Album) Collision – “Golden Moldies”

Listen Here – BandCamp

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Featuring: Vyta, ELU, Tyler Thompson, Babyteeth, Rice Bowl Launch, OOTM, Reid Magette, Good Sport, Eric Weidenhof, Five Star Hotel, Mallard Theory, Azizzy, Belcher, Machine Daddy, Spednar, Alamoans, Living World, Invader Lars, Thy Stethoscope, TzT, {arsonist}, 1980 Special Twin, Nonsite

Track List: Hyperborean Memory Retrieval, For No Input Mixer Delay & Reverb, Distance,  Bleu Marin, Cluster, Murder Hornet, Houses In Motion, Splint, Visual Disturbances, Duck Of Stone, Improv On WRCT, Dad.E.Core, No Peanuts, C C T V, Spite Controller, Gnarl Tha Clandestine, GroupTheory, Dark Crystal 412, FrgtfulFunctr, St. Gervais Sur Mer, Balm

Misc. Day – Comedic Footprint

enjoy_legacy_01Wyatt Shears is not just 1/2 of The Garden with his twin brother Fletcher Shears but also dives into his own separate full-length project with experimentalism as the basis for creation. Enjoy, while being less refined than their joint venture, has staples of surf-rock but also drum and bass undertones where his 2014 project, Legacy is 10 tracks over 30 minutes of uplifting bounce.

The opening track “Party Bounce” is honestly a goofy refreshment with reduced rigid lines where Shears’ vocals hit the open air over warping strings and tom-runs on percussion. His vocals that switch from angelic to nearly spoken word are ultimately graceful and while sonically stimulating, are more of a visual experience through his storytelling and timbre. Describing “You can chase me down the street but I won’t run. We just pulled up the party this will be fun… We’re here — we’re there – I’m in – she’s In,” with bass lines that command the release.

Legacy is essentially able to float over tracks with focuses on the percussion and on the often low-tuned bass that shines throughout tracks like “Sly” or even the title-cut, “Legacy.” As “Sly” opens up, the punk influence starts to break through the wall with harder rallies of instrumentation against a dash and rush of momentum. Enjoy seems to be at its best when Shears is able to write catchy backing music pieces and worry about progressions rather than vocalization. He uses his stacked vocals on “Sly” like layers to a puzzle, almost as if the voice was an instrument instead of being a leading focus.

Later though, his work on the third piece, “Legacy” forms a bond to the more relaxed and ballad style that can thrive under impact rather than speed. His musical formation is continuously entertaining and moving, grasping at the heart through his use of openness. The atmosphere that Shears can create and craft through just two elements becomes the bread and butter in some sense, but then as additional elements are sprinkled in with both his vocals and backing instrumentation, Enjoy becomes more than just a side project.

enjoy_legacy_02The fully fleshed ideology and true adaptability is proven through the last two tracks, “Our Territory” which is a hard snap on the drums and creates both a mosh pit and two-step in one. Then with the final track, “Smooth (R3mix)” that is strangely funky and addictive to the ears. Just like the Rubik’s Cubes that adorn the cover art, Enjoy is a mind-bending puzzle that continues to impress and has moments of honest confusion that lead to one overarching goal.

From top to bottom, Legacy is exhilarating and one of the best ways to spend 30 minutes. The infiltration of jungle sounds and smooth bass lines are enough to pack gentle surprises in every track that jumps into frame.

Listen To Legacy Here!!! – BandCamp/Spotify/iTunes