The disassociation of body and spirit that follows with Naeem’s newest stargate of Startisha breaks ground in sound. Not a record that is easy to digest with just a single interval, Startisha best performs under the fine-tooth intricate combing where the atmosphere can be fully engaged with and reflective of one’s self.
Naeem is a relatively new discovery forming from the prominent cover art of obsidian skin on the silk sheets and striking red sun that burns into the memory. The eyes that conflict are as stunning as a pistol under the coat and holds the listener at full attention. When the music finally starts with “You And I,” Startisha is instantly an acidic platform where the plateau has no reachable end in sight. The mountain continues to climb as the vocals over the calming backing holds a spotlight and candle to the wind. All eyes are here on Naeem.
The beauty of their vocals pours over like a burst of ecstasy over the burning surface of Mars. Describing, “No we don’t have time for the little things, because life is full of important things. Life is full of necessary things. Life is full of big machines and there just ain’t room for the little things.” When the transition follows into Simulation,” the pieces of this smooth jigsaw becomes closer to hip-hop rather than spoken word. The sudden bombastic nature of the 808s that clash and form over still isolated backing instrumentation is frankly gorgeous and glittered with diamonds.
This beauty is the main staple of Naeem and the production on Startisha continues to illustrate and sculpt ideological representations of dance like on “Us.” The isolation of the first tracks is disputed and instead is opted to become a close-knit club framework that can bounce toward this overarching spacious grab. The
muddied bass smacks are as if a present DJ was mixing the record before the listener, creating a new experience with each beat. The almost unpredictable format that Naeem follows is refreshing and continues to push approachability into new hands.
Then as “Right Here” begins to fade into the frame, Startisha becomes a more recognizable entity. While nearly the shortest track on the record, “Right Here” is graceful and full of vitality that glimmers brightly in a darkened and seemingly dull backing. The settings that Naeem can thrive under is conclusive enough to showcase this natural ability of expression beyond sound. Overtly divisive, Startisha is a moonlit journey that travels less by gaslight and more by star power.
When the music ends, however, Naeem forms a bond with the listener that is both capturing and free, making sure that the chains are broken before getting too attached to this rock. Startisha is a piece that lives through the atmosphere it can surround itself in and creates an omnipotent grip where the listener is always under its control.
Listen Here – BandCamp
Electric Guitar: Ada Rook
Guest Vocal: DeathIrl
Mixed By: Will Owen Bennett
Mastered By: Ada Rook
Listen/Watch Here – Youtube
Directed By: C.C. Wade
Written By: C.C. Wade + Jack Marshall
Production Design: Elena Isolini
Costume Design: Verity May Lane
Drone Operator: Jack Towell
Special FX: Zoe Marshall
Producer: Maddy Perkins
Executive Producer: Saskia Whinney
Listen Here – Soundcloud/Spotify/iTunes
Featuring: Savage Ken, Shebo, Doobie, CashJay
Produced By: Koal, BLVCK AMETHYST, Nutso ThugN, DarkSynth, PedroFlexin, YuneyLae, CashVVS, K30, 78 Glaciers, CheaperTherapy, Banbwoi
Track List: Wake UP, 1NDASAME, SLIDIN, WTKBD, Slime Season, Flash, Witxhkraft, Aktivated, Rokkstar, SQUEEZE
Featuring: Maine Musik, Krazy, BlaqnMild, Romeo Miller, Moe Roy, Shootie Wild, Gangsta, TEC, Peewee Longway, Kirko Bangz, Magnolia Chop, Master P, Playbeezy, Decarlo
Track List: Intro, Need To Know, Real Ones, Make It Out, Still Remember, Believe, Aint Coming Down, Cursed From The Start, The Plug, Rari, Cook Up, Friends With Benefits, Tank Gang, Where Was You, Werk, Put That On My Life, Limitless, Say Her Name
Listen/Watch Here – Youtube
Video Edited By: death_fm
Footage Taken From 2018-2020
RIP Jordan Groggs
Listen/Watch Here – Youtube
Produced By: Tommy Mas
Directed, Edited + Produced By: VIDEO CONNECTION
Camera: Arina Bleiman
Design: Fons Schiedon
Visual Effects: David Parker @ JANE STUDIOS
Sound Design: Joe Visciano
Executive Assistant: Melvin Honore
Listen Here – BandCamp
Featuring: Vyta, ELU, Tyler Thompson, Babyteeth, Rice Bowl Launch, OOTM, Reid Magette, Good Sport, Eric Weidenhof, Five Star Hotel, Mallard Theory, Azizzy, Belcher, Machine Daddy, Spednar, Alamoans, Living World, Invader Lars, Thy Stethoscope, TzT, {arsonist}, 1980 Special Twin, Nonsite
Track List: Hyperborean Memory Retrieval, For No Input Mixer Delay & Reverb, Distance, Bleu Marin, Cluster, Murder Hornet, Houses In Motion, Splint, Visual Disturbances, Duck Of Stone, Improv On WRCT, Dad.E.Core, No Peanuts, C C T V, Spite Controller, Gnarl Tha Clandestine, GroupTheory, Dark Crystal 412, FrgtfulFunctr, St. Gervais Sur Mer, Balm
Wyatt Shears is not just 1/2 of The Garden with his twin brother Fletcher Shears but also dives into his own separate full-length project with experimentalism as the basis for creation. Enjoy, while being less refined than their joint venture, has staples of surf-rock but also drum and bass undertones where his 2014 project, Legacy is 10 tracks over 30 minutes of uplifting bounce.
The opening track “Party Bounce” is honestly a goofy refreshment with reduced rigid lines where Shears’ vocals hit the open air over warping strings and tom-runs on percussion. His vocals that switch from angelic to nearly spoken word are ultimately graceful and while sonically stimulating, are more of a visual experience through his storytelling and timbre. Describing “You can chase me down the street but I won’t run. We just pulled up the party this will be fun… We’re here — we’re there – I’m in – she’s In,” with bass lines that command the release.
Legacy is essentially able to float over tracks with focuses on the percussion and on the often low-tuned bass that shines throughout tracks like “Sly” or even the title-cut, “Legacy.” As “Sly” opens up, the punk influence starts to break through the wall with harder rallies of instrumentation against a dash and rush of momentum. Enjoy seems to be at its best when Shears is able to write catchy backing music pieces and worry about progressions rather than vocalization. He uses his stacked vocals on “Sly” like layers to a puzzle, almost as if the voice was an instrument instead of being a leading focus.
Later though, his work on the third piece, “Legacy” forms a bond to the more relaxed and ballad style that can thrive under impact rather than speed. His musical formation is continuously entertaining and moving, grasping at the heart through his use of openness. The atmosphere that Shears can create and craft through just two elements becomes the bread and butter in some sense, but then as additional elements are sprinkled in with both his vocals and backing instrumentation, Enjoy becomes more than just a side project.
The fully fleshed ideology and true adaptability is proven through the last two tracks, “Our Territory” which is a hard snap on the drums and creates both a mosh pit and two-step in one. Then with the final track, “Smooth (R3mix)” that is strangely funky and addictive to the ears. Just like the Rubik’s Cubes that adorn the cover art, Enjoy is a mind-bending puzzle that continues to impress and has moments of honest confusion that lead to one overarching goal.
From top to bottom, Legacy is exhilarating and one of the best ways to spend 30 minutes. The infiltration of jungle sounds and smooth bass lines are enough to pack gentle surprises in every track that jumps into frame.