For a grindcore record that can immediately shatter the speakers is not a feat of misunderstanding, but to strike a nerve of utter fear through instrumentation and lyrical narration is something The Secret can thrive under. Their 2008 record Disintoxication is the sacrificial lamb that peels back the flood gates and allows 10 tracks of pure evil to rush over 32 minutes.
Opening with the nearly self-titled piece “Intoxication” after a short 25-second introduction track, “intoxication” is detrimental to the listener’s well-being. With a rampaging instrumental front from Christian Musich on percussion, there is both Michael Bertoldini and Giacomo Totti on the guitar and bass. Finally, Marco Coslovich rears his face on the vocal forefront and as a lyricist, demands death through the microphone.
Explaining over a crashing wall of noise, “Dear cancer, it’s been a long time since you left me with no words. I missed you every single day…” As the guitars screech like the twisted death throes of an animal’s last seconds, he continues. “It’s been so hard without you, I missed your teeth on my jugular and the sweet kiss of your needle slowly piercing my vein.” While solemn, the grave delivery creates a package that is less approachable as it is a terrifying beast of burden.
Later tracks like “In Limbo” are the knife that stabs through the heart and in the three minutes that the track is present, there isn’t a single moment of stagnant movement. The continuous punches and kicks coming from The Secret are a driving force to push Coslovich’s lyrics as a pilot to the onslaught. He describes, “Breathless I’m living, close your eyes and I’ll become your savior, your friend, your lover, your home.” As one of the more uplifting stances of the vocal display, “In Limbo” suddenly turns to blackened waters as he illustrates, “I’m fed by my demons and my hate. I still don’t know what I’ll become, I still don’t know if you will come.”
The feeling of lonesomeness is accompanied oftentimes by somber instrumentation, but here with The Secret, it is the exact opposite. Much of Disintoxication is spent with a metaphorical sonic noose that strangles the opponent and lets little light in. When the windows do finally crack to reveal some sense of reprieve, the punishment is almost as bad as the salvation.
In the final moments spent with The Secret, the Italy-based band is a working orchestra of death that surrounds the listener in a cloud of misjudgment. The strong faced and willed command of sound is enough to break concrete and shatter backbones like twigs in the mud.
Listen Here – BandCamp
Track List: Introduction, Prayer To God, Spin The Circle Back, No Excuses, Fourth Of July, Paroled In ’54, Well Fed Fuck, Screaming At A Wall, Into The Void, Sweet Leaf, Black Sabbath, Lord Of This World, Don’t Let It Bring You Down
Listen/Watch Here – Youtube
The immense disparity that can occur in instrumental music is a turning point to introduce sound that is both fascinating through sonic approach and texture. The layering that Holy Other can encapsulate and then conquer with is not only a fascinating section of land to stand upon, but the nearly faceless producer is ambient through the borderless grasp.
The plunging EP from 2011, With U is the reminiscent work of waves that can crash against a roaming cliffside. The sea while impressive through beauty is a conquering giant that orchestrates respect. In the same way that the sea commands, Holy Other follows suit, and the opening track, “Know Where” is performative and draped in scale. The currents that both pull and push the listener through the four-count of bass undertow which then bleeds in vocal samples from ethereal apparitions becomes almost divergent.
While still identifiable in their own right, Holy Other is constructed as this creature of droning resonation. Each intricate piece of the puzzle, while fully complex, honestly brands to become more simple as each key is dragged away. When staring at the foundation of With U, the five tracks over 21-minutes is enough to sear, but not destroy. The importance of restraint here with Holy Other is the main vibrance that keeps the instrumentals alive and able to shift so suddenly. There is never a complete jerking motion that opens the ears through surgical steel, but the use of synths and phantasmic whispers is strangely soothing.
Even on the stuttered steps of “Touch” where the instrumental is an enterprise of breaths and respirators barely keeping the so-called narrator alive, the pale snaps of percussion and draining shifts are gorgeous. With a record that immediately paints white rooms with unbreakable walls, the glass sheathe can then be peeled apart by Holy Other to reveal an urban landscape. With skyscrapers that grind against the night with ominous lights in the distance, the alleys and guttural locations that Holy Other forms while imaginary, is fitting.
With U becomes this soundtrack to deconstruction and with one sudden push, the audience can fall behind too. The shortlist of tracks and the bargaining chips that lay on the table is enough to snatch the listener up by the ears, forcing them to withstand a cool crash of waves once again.
Listen Here – BandCamp
Track List: Amber Alert, HawaiiCBM, On A Rope, (I Don’t Wanna Line In A) Fucked Up World, Concrete, Serotonin Steve, Turner Street Ghost Motel, Spectator, Don’t Talk, Smug, Crawlspace Boyfriend, Negative Justice, Black Beauty, Code White
Listen Here – Spotify
“A playlist of tracks that were featured on MattsMusicMine.com from the week of August 24th – 30th. From Reviews to Streams, never miss a track with these playlists that are uploaded every single Sunday till I drop dead.”
Featuring: Cloud Rat, Ovrkast., Navy Blue, My Favorite Color, AG Club, Bog Body, Primitive Warfare, A$AP Nast, D33J, Ivorian Doll, Waka Flocka Flame, YG Hootie, Popa Smurf, Slim Dunkin, Pastor Troy, Black Noi$e, Earl Sweatshirt, Primitive Man, Diaz Grimm, Clipping., Nascar Aloe, Buscrates, Kate Moe Dee, Goblinsmoker
Track List: Keep Flies, Pity Sex, Face, Dale, Hngover, Desiccant Drip, Malevolent Abolition, Designer Boi, Rumours, Karma, Fuck The Club Up, Mo(u)rning, Entity, Consumption, 2am NewYork 2018, Say The Name, DEGENERATE FUCK, How Ya Gonna Do It, Let Them Rot
Listen Here – BandCamp
Released By: Sludgelord Records
Track List: Smoked In Darkness, Let Them Rot, The Forest Mourns
Essentially conceived for deconstruction, Primitive Man’s newest piece of divergent sonic horror, Immersion is a hallway where every door leads to an end. Rooms filled with no windows, no additional doors within, and this inescapable feeling of dread as the walls begin to continually close around you.
Crushing from every second, the first moments spent with “The Lifer” is built to burn. With the gaping eye that peaks through the dirt and mire on the cover, Immersion is both a record packed with immense apprehension and anxiety, but can also push moments of rushed rage through sections. Not only is the mixing of the two sides a deadly combination, but the overall uneasiness that follows in the 35 minutes is simply pulverizing.
Through the seven minutes that spreads the track apart like a pulled back rib cage, “The Lifer” is noisy and riddled with feedback and the pulling weight that is designed to drag the listener down toward the burning center of the Earth. Mostly less about storytelling, and more about the mental breaking coming from the instrumentation; while horrendous, the craftsmanship and use of space here on Immersion is fantastic. Everything about the record is built to be both revered but also feared as well.
The then overwhelming force of the following track, “Entity” is established through harsh noise that rips through headphones and causes clipping at certain points. This record is formed like the Wound Man in ways to test just how much abuse the human cavity can take. Whether through knives of sound or harsh punches of percussion on the track, “Entity” wants to break bone. Slower and slower as the grains of sand cascade around the hourglass, Immersion holds hostage through “Entity” and can release dopamine but then take that feeling away almost as soon as it comes.
But as time marches on, the crunch of “∞” becomes unbearable, seemingly to the point of true pain when the washing of white static burns and etches into the eardrums. As if Primitive Man enjoys crafting hellscapes, the scraping and dissonance can orchestrate an interlude that relies on death rather than life as a motivating factor.
Much of Immersion can be fitted into a similar vein where the six tracks are conjoined as one segueing piece that eventually leads to one single demise. While the audience is an isolated factor in the record, Primitive Man is this overshadowing figure that finds more pleasure in the burning of the captive rather than the sudden release of death.
Listen Here – BandCamp
Recorded, Mixed, + Mastered By: Quinn Riley
Art By: Eric Kimmel
Guitar, Bass, + Vocals: Eric
Drums: Quinn
Guitar: Dom
Vocals: Christian
Track List: DEFCON 1, Varmint, Pig Fest, Chug Diesel Do Evil