LIVE PHOTOGRAPHY – CONFINES AT SAINT VITUS, OCTOBER 16TH, 2021

SUNDAY SAMPLER // (PLAYLIST) “10/17/2021″

Listen Here – Spotify

“A playlist of tracks that were featured on MattsMusicMine.com from the week of October 11th – 17th. From Reviews to Streams, never miss a track with these playlists that are uploaded every single Sunday till I drop dead.”

Featuring: dj blackpower, Wednesday, Evulse, SW2, NVSV, CAN, Habibi, Lil Ugly Mane, CZARFACE, Frankie Pulitzer, The Alchemist, MIKE, Vince Staples, Andy Morin, The Garden, Emma Ruth Rundle, MAVI, New Candys, Cate Le Bon

Track List: rootin4?, Mhm!, November, Repulsive Infestation, Hither Green Glide, DESIGNER, Sing Swan Song, Vitamin C, Somewhere They Cant Find Us, Clapping Seal, Today’s Special, Lossless, 6 Five Heartbeats, French Kiss The Abyss, Blooms Of Oblivion, Miracle Baby, Twim Mime, Running Away

STREAMING // (Video) Emma Ruth Rundle – “Blooms Of Oblivion”

Listen/Watch Here – Youtube

Written By: Emma Ruth Rundle

Directed By: Emma Ruth Rundle + John Bradburn

Little Girl: May Farmer

Director of Photography: Tom F Sykes

Production Design: Louis Kay-Price

Edited By: Brandon Kahn

Make-Up By: Blake Armstrong

Costume Stand By: Sophie Priesler

Runners: Ellen Cook, Isabella Taylor, + Vanda Leal Ramos

Lighting Technician: Kieran Marklew

Silver Suit Garment Courtesy Of: Hogan McLaughlin

Linen Garments By: Ovate

New Music – Sequel Blues

They say, “A sequel is never as good as the original.” I don’t know who “they” are, but it’s apparent that they have never heard This Thing Of Ours 2 from The Alchemist and his merry group of super friends.

This Thing Of Ours (One) was a fantastic refreshment of four tracks that included some of hip-hop’s most sacred performers and writers. Coming into the sequel, The Alchemist changes the lineup, introducing some new faces to the mix, and gives the second round of starters a game plan to destroy.

Revealing the white and black checkered parlor floors with “Miracle Baby,” MAVI is the only featured artist on the track and commands the audience to listen instead of contributing. This history lesson comes in the form of MAVI repeating “They don’t know if I’m a rookie or if it’s a disguise, that lil nigga know what he doing, you can see in his eyes.”

Truly the instrumentation is perfect for MAVI as the sun shines brightly over him, becoming this gifted and gilded narrator who drops nuggets of wisdom like they are free game.

The transition from “Miracle Baby” to “Lossless” which features MIKE is like hitting dead stop traffic on the FDR. MIKE slows the beat, making it twist and conform to his will as The Alchemist matches like a new fresh coat of paint.

One line that really takes MIKE to a sticking position is when he illustrates, “I’m in the fog, I ain’t empty but I’m lossless. Remember we involved, but be ready when it’s lawless.” Without becoming vindicating, MIKE holds power but never holds that power over the audience’s head. Instead, he invites to grow and understand together.

Another personal favorite artist, Zelooperz uses this low-tuned and intimidating beat to crawl between the audience on “Wildstyle.”. He creates separation and a diversity to the delivery on This Thing Of Ours 2 but is energetic behind the narration. Featuring vocal fries and obtuse inflection, Zelooperz is a treasure on “Wildstyle,” but is also the shortest featured track of the record.

Rounding out home plate, Vince Staples appears on “6 Five Heartbeats” and immediately strikes at the core emotional strings with not only the most impressive production from Alchemist but also the most gorgeous verse.

Filled with paranoia, misery, and self-inflection, Staples becomes shattered behind the microphone but still maintains that concrete exterior he is well known for. Describing, “You had blogs, we had Beretta’s, couldn’t buy no birds, we fly together.” With one line, he not only comes in stronger than steel but continues to illustrate strife through his verse. He pushes on, “I’m searching for some real love, someone to set my heart free. Shot him on the 8th block, I hope nobody saw me.”

Through production and grace, The Alchemist does a full Pommel Horse with perfected execution in music standards. Dropping some of the best music in this generation, Alchemist etches another Mount Rushmore for rap under his belt with This Thing Of Ours 2.

Listen To This Thing Of Ours 2 Here!!! – Spotify/iTunes

STREAMING // (Album) Void Witch – “Demo”

Listen Here – BandCamp

Recorded + Mixed By: Aaron Altounian

Mastered By: Max Lorenzen

Track List: My Coffin Overfloweth, Asphyxiation Ritual

Classic Day – Dinner Time

Fairly impossible to classify, Ege Bamyasi from CAN has elements of noise, progressive rock, and funk all sequestered into one, well… one can full. The seven-track record is the third installment from CAN, but the experimentation and willingness to secede from general straightforward playstyles is impressive.

Almost a hidden treasure of sampler material, Kanye West and Earl Sweatshirt are among some of the names that push CAN into the light for younger audiences to discover. With the opening piece, “Pinch” is funk-driven and loosely based through jazz elements.

The percussion is something out of Funkadelic’s Maggot Brain era of sound and time, taking Ege Bamyasi to a sonic dimension of twisted power. The drums which are led by Jaki Liebezeit are enticing but do not overpower the mix between Michael Karoli on guitar or Holger Czukay on the bass.

The rhythm section in CAN especially on Ege Bamyasi is mesmerizing and deliberately wanting to fixate on pushing those three members as leaders of performance. With Irmin Schmidt on the keyboards, the vocals appear from Damo Suzuki and are less of the focused delivery as they are contagious and rampant.

Tracks like “Pinch” that stretch into nearly 10 minutes become ambiguous narration where Suzuki illustrates, “all alone, you’re insane, your eyes. Can’t pick the eye in the loan and you moan alone.” The instrumentation follows suit, “Pinch” becomes a frantic mess.

Something to reel Ege Bamyasi back in however is “Sing Swan Song” where “Drunk And Hot Girls” might instantly ring a bell to the ears. CAN who even mentions, “Drunk and hot girls” in their lyrics at one point becomes the groundwork for one of the more iconic tracks on Graduation.

Instead, Ege Bamyasi uses the very stoned delivery to be a game of a swinging pendulum. At one point, CAN is twisted and disoriented but not in an angry sense. Instead, in the same way that one becomes after too many drinks after stumbling home from the bar. Pressured to change motives, CAN uses Ege Bamyasi as a segue into the deliberately off-putting with “Soup.”

The elements of hard-driving rock here are a standout and create a formation of both ambiguities but also misdirection to the mix. Ege Bamyasi has times in the pieces where the jigsaw does not connect but somehow manages to explode near the end of the tracks, climaxing into fireworks.

Ege Bamyasi may end like a lit drum of oil, but the flames that build around the environment are what makes Ege Bamyasi such a fantastic piece of action. The tension is just precise enough to be a miracle on wax.

Listen To Ege Bamyasi Here!!! – Spotify/Amazon/iTunes