Listen Here – Spotify
“A playlist of tracks that were featured on MattsMusicMine.com from the week of October 11th – 17th. From Reviews to Streams, never miss a track with these playlists that are uploaded every single Sunday till I drop dead.”
Featuring: dj blackpower, Wednesday, Evulse, SW2, NVSV, CAN, Habibi, Lil Ugly Mane, CZARFACE, Frankie Pulitzer, The Alchemist, MIKE, Vince Staples, Andy Morin, The Garden, Emma Ruth Rundle, MAVI, New Candys, Cate Le Bon
Track List: rootin4?, Mhm!, November, Repulsive Infestation, Hither Green Glide, DESIGNER, Sing Swan Song, Vitamin C, Somewhere They Cant Find Us, Clapping Seal, Today’s Special, Lossless, 6 Five Heartbeats, French Kiss The Abyss, Blooms Of Oblivion, Miracle Baby, Twim Mime, Running Away
Listen/Watch Here – Youtube
Video Directed By: Fernando Nuti
Band Filmed By: Jancy Buffington + Fernando Nuti
Listen Here – BandCamp
Listen/Watch Here – Youtube
Written By: Emma Ruth Rundle
Directed By: Emma Ruth Rundle + John Bradburn
Little Girl: May Farmer
Director of Photography: Tom F Sykes
Production Design: Louis Kay-Price
Edited By: Brandon Kahn
Make-Up By: Blake Armstrong
Costume Stand By: Sophie Priesler
Runners: Ellen Cook, Isabella Taylor, + Vanda Leal Ramos
Lighting Technician: Kieran Marklew
Silver Suit Garment Courtesy Of: Hogan McLaughlin
Linen Garments By: Ovate
Listen Here – BandCamp
Recorded + Mixed By: Aaron Altounian
Mastered By: Max Lorenzen
Track List: My Coffin Overfloweth, Asphyxiation Ritual
Listen Here – Youtube
Listen Here – BandCamp
Fairly impossible to classify, Ege Bamyasi from CAN has elements of noise, progressive rock, and funk all sequestered into one, well… one can full. The seven-track record is the third installment from CAN, but the experimentation and willingness to secede from general straightforward playstyles is impressive.
Almost a hidden treasure of sampler material, Kanye West and Earl Sweatshirt are among some of the names that push CAN into the light for younger audiences to discover. With the opening piece, “Pinch” is funk-driven and loosely based through jazz elements.
The percussion is something out of Funkadelic’s Maggot Brain era of sound and time, taking Ege Bamyasi to a sonic dimension of twisted power. The drums which are led by Jaki Liebezeit are enticing but do not overpower the mix between Michael Karoli on guitar or Holger Czukay on the bass.
The rhythm section in CAN especially on Ege Bamyasi is mesmerizing and deliberately wanting to fixate on pushing those three members as leaders of performance. With Irmin Schmidt on the keyboards, the vocals appear from Damo Suzuki and are less of the focused delivery as they are contagious and rampant.
Tracks like “Pinch” that stretch into nearly 10 minutes become ambiguous narration where Suzuki illustrates, “all alone, you’re insane, your eyes. Can’t pick the eye in the loan and you moan alone.” The instrumentation follows suit, “Pinch” becomes a frantic mess.
Something to reel Ege Bamyasi back in however is “Sing Swan Song” where “Drunk And Hot Girls” might instantly ring a bell to the ears. CAN who even mentions, “Drunk and hot girls” in their lyrics at one point becomes the groundwork for one of the more iconic tracks on Graduation.
Instead, Ege Bamyasi uses the very stoned delivery to be a game of a swinging pendulum. At one point, CAN is twisted and disoriented but not in an angry sense. Instead, in the same way that one becomes after too many drinks after stumbling home from the bar. Pressured to change motives, CAN uses Ege Bamyasi as a segue into the deliberately off-putting with “Soup.”
The elements of hard-driving rock here are a standout and create a formation of both ambiguities but also misdirection to the mix. Ege Bamyasi has times in the pieces where the jigsaw does not connect but somehow manages to explode near the end of the tracks, climaxing into fireworks.
Ege Bamyasi may end like a lit drum of oil, but the flames that build around the environment are what makes Ege Bamyasi such a fantastic piece of action. The tension is just precise enough to be a miracle on wax.