Listen/Watch Here – Youtube
Directed + Edited By: willfred françois
Filmed By: Plusonebilal
Produced By: Madbliss
The spread of this psychedelic wave over the United States had such an impact on how the rest of music would function as a conglomerate forever. But then as the listener is able to step outside the confines of America and being able to witness some of the strongest displays of musician craftsmanship from West Africa where Itadi was able to record his self-titled Itadi record is breathtaking.
It follows the foundation of Itadi Bonney who was able to sculpt these percussive progressions that follow a jungle-esque style that conflicts with the electric instruments and create something mesmerizing. Release in 2013, the record was recorded in 1977 in Ghana and then remixed for a final recording in Togo. Some of the whereabouts are unknown as the publishing dates are mostly passed down by word of mouth, but Itadi holds a fairy tale setting that is a bright and shining example of 70’s influence on Africa.
The opening track, “Watch Your Life” is a funk fusion that works into a smooth ride through easy-going strings and keys. Itadi plays as if it was recorded in one-take through a late-night after-hours club with dim lighting and cigarette smoke filling the room. As the bright red overalls shine through on the cover, Itadi takes a bold stance as if he was some superhero of the trees.
Itadi plays as one continuous piece incredibly well and almost takes the listener through these transitional periods without ever seeming as if the tracks change. The 38-minute long record is eight tracks and more of an adventure over understanding. With “Peace and Freedom,” one of the more pushing tracks, the shouts that are heard throughout the piece are exhilarating and instill hope as the aged guitar whirls along. This is definitely recognizable as a record from the 1970s where the vinyl crack is nearly present in the recording.
Through each passing on Itadi, the journey of soft, velvet touches comes to a final closing with “Ayala.” It is a sand-filled dune that coincides with the crashing waves against the beach. Incredibly relaxing, and entirely necessary for closing, Itadi uses the instruments as narrators to then suddenly shift into the final silence that is abrupt, but solid.
When looking back over Itadi and seeing some of the inner strengths that the record holds, the true beauty comes from uncovering this hidden gem of African proportions. Somewhere that would be almost impossible to hear without the internet, Itadi is a shining beacon that breaks through to hold the listener tight as the record begins to spin again.
There is something fascinating about shortened punk EP’s that can cram four tracks onto a near seven-minute disc that burns through retinas and illustrates a wildfire of congestion. Hoax returns with their 2012 piece, Stuck or also known as another self-titled release under the Hoax brand.
There is not much to say about the grinding and rising tension that cuts like a laser across the speakers on the introductory track, “Stuck.” It is second-nature to see the black-and-white cover with bricks being laid across an all-white background and see a prison, but Hoax breaks out of this mold with some impressive displays of control. The restraint on “Stuck” is almost welcoming to the chaos that follows as the slower, more melodic in a sense, punk sound is vibrant and opening.
As the transition into “Free The Land” begins, the drums are now a coursing king snake that spends more time attacking than any sort of reservation. The highlight of the track are these pounding percussive beats that conflict with the machine-gun-esque systematic downfall that is a joy overall. While Stuck or Hoax will not be something that hits that golden spot for everyone, it manages to take a thrill ride for a short, but digestible serving. With a platform more built for pain than speed, Hoax can often times move their abrasive sense to a newer level that begs to be heard loudly over speakers.
Even the final track “Discipline” which punches through the crowd in this last-ditch effort is a reflective punk rock opera. Hoax barely holds any theatrics over the listener and instead opts to ignite this mosh pit frenzy through one final scream before the record stops spinning. The beauty of having such a short release under the belt is that when it spins 15 consecutive times in such a manner that Hoax can enthrall the listener and almost trap them in this Venus encapsulation.
Stuck is a difficult record to put down and continues to break the surface on daily plays. When it opens and closes its jagged, but approachable form, the record as a whole is more an appetizer to stronghanded punk than any off-putting hell. It is quick but holds enough weight to carry the listener right to a promised land of punk.
Listen/Watch Here – Youtube
Directed By: Anthony Gaddis + Eric Tilford
Produced By: language.la
Photos By: Christian Weber